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MARK TRIBE: ‘THE DYSTOPIA FILES’ (Zagreb, June 9th – July 9th 2011),  ‘Performance, mediation and public sphere’, workshop and public lecture

„The Dystopia Files“ (A dystopia – from Ancient Greek: δυσ-, “bad, ill”, and Ancient Greek: τόπος, “place, landscape” is the idea of a society in a repressive and controlled state), at g-mk is the newest iteration of Mark Tribe’s ongoing project, which recontextualizes the history of demonstrations in the US. The artist had gathered an archive of protest footage, which serves as a base for creating site specific video installations in gallery and museum spaces. The work tackles on a set of questions about power relations, spectatorship, image manipulation, participation, interaction and political engagement. The relationship between these issues and recent curatorial practices will be discussed during the workshop held by Mark Tribe. In a talk following the workshop, Mark will present his multimedia artistic practices, including his previous acknowledged projects such as Rhizome and Port Huron ( The Port Huron Project is a series of reenactments of protest speeches from the New Left movements of the Vietnam era). The exhibition is curated by Željka Himbele Kožul.

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http://www.g-mk.hr

http://rhizome.org

http://www.marktribe.net

Activist art exhibition from the Marinko Sudac Collection aboard Marshall Tito’s ship “Seagull”
04th June -18th June, 2011 in Rijeka, Croatia

(…) The material for the exhibition was taken from the Marinko Sudac Collection, the fast growing and the largest collection of historical avant-garde, neo avant-garde and post avant-garde movements and artistic expressions in the region and beyond. The collection today includes around twenty thousand units, works of art, documents and publications. It covers the period from 1909 to 1989 and the area from the Baltic to the Black Sea, with special emphasis on the region of former Yugoslavia, while the furthest end of the collection reaches as far as Japan. The exhibition will also include the documentation on Galeb’s intriguing history, in Tvrtko Jakovina’s writing on Galeb’s voyages through the seas of world politics, in Feđa Vukić’s account on the evolution of its symbolic meanings, and Ješa Denegri’s analysis of reasons and reaches of political standpoints on the area of artists’ activities on one particular example.

(…) “Standstill” is an exhibition that deals with the deconstruction of the untouchable, of the mythical ship Galeb whose decks and salons along with Marshal Tito and the elite of socialist state and military government are inhabited by ghosts of world statesmen from Winston Churchill, Paul of Greece, Elizabeth II, Gamal Abdel Nasser, Jawaharlal Nehru, Ahmed ukarno, General Abboud, Kwame Nkrumah, Albert Tabnen, Habib Bourguiba, Sirimavo Bandaranaike, U Nu, Ne Win, Modibo Keita, Seku Ture, Archbishop Makariosa, Muammar Muhammad al-Gaddafi, Nikita Sergeyevich Khrushchev, Leonid Ilyich Brezhnev, Kurt Josef Waldheim, Nicolae Ceausescu, Indira Priyadarshini Gandhi and many, many others to scientists and artists as well as international movie stars such as Richard Burton, Elizabeth Taylor, Sofia Loren and Kirk Douglas.” (…) Branko Franceschi, President, Institute for the Research of Avant-garde

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avantgarde-museum.com

Installation by Ivana Franke and ongoing neuroscientific research by Ida Momennejad will be presented during the symposium ‘Seeing with eyes closed: Neuroscience and Art in dialogue’ in Venice. The installation will be on view from the 1st to the 6th of June in the Peggy Guggenheim Museum.

In resonance with the curatorial focus of the 54th Biennale: IllumiNations, the upcoming symposium on June 2nd, 2011 – organized in collaboration with Berlin School of Mind and Brain (Humboldt Universität) and Charité-Universitätsmedizin Berlin – will explore the theme: Seeing with Eyes Closed. The symposium takes its title from an interdisciplinary project by artist Ivana Franke and neuroscientist Ida Momennejad, conceived through the support of Alexander Abbushi and the Association of Neuroesthetics – AoN. The project concerns the visual experience of flowing images induced by stroboscopic light behind closed eyes.

Some of questions are: “Can we construct spatiotemporal forms purely based on ‘imagination’? To what extent may different brains show similar activities in spite of differences in subjective experience? To what extent is our perception of reality constructed and altered by the intrinsic build-up of our brains rather than neural responses to stimuli that is strictly ‘out there’?”

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Source:

culturnet.hr

Wordless Music, the concert series run by Ronen Givony when he is not overseeing the classical and new-music programming at Le Poisson Rouge, is devoted to showing fans of indie rock and contemporary classical music that the two genres have a common appeal.

Mr. Givony’s latest offering, heard on Saturday evening (21 st May) at the New York Society for Ethical Culture (the program was also played on Friday), was built around two works with rock connections: Philip Glass’s “Heroes” Symphony (1996), which is based on themes from David Bowie’s 1977 album “Heroes,” and “Doghouse” (2010), the latest orchestral score by Jonny Greenwood, who is best known as a member of Radiohead. Gyorgy Ligeti’s Chamber Concerto (1970), a study in energy and texture that prefigures some of Mr. Greenwood’s work, was interposed between them.

For the occasion the conductor Brad Lubman convened the Wordless Music Orchestra, a freelance new-music band that included, this time, all four members of the JACK Quartet and players from Alarm Will Sound, Signal (which played the Ligeti on its own) and other ensembles.

MV

Source:

http://www.nytimes.com

Zagreb (7-21 May 2011) will be a host of  the International 4th Subversive Film Festival.  Subversive Film Festival is no ordinary, competition film festival. It is first-of-a-kind hybrid of film/video and critical theory, aiming to explore and understand recent cultural history.Film program in cinemas Europa and Tuškanac will be accompanied by film-theory school which will deal with post-colonial »aesthetics of resistance«. A lot of famous scientists will present their work: Antonio Negri,Terry Eagleton, Zygmunt Bauman, Istvan Meszaros, David Harvey, Gayatri Spivak, Slavoj Žižek, Samir Amin and many others.

“World forum of Alternatives: Decolonisation – New emancipatory struggles” –  Why is the meeting taking place exactly in Croatia?

Croatia seems to be a perfect place to meet: all contradictions from the capitalist core (financial shocks, reckless consumerism, media, elite-driven politics, democratic deficit, commercialisation of public services) are visible together with all political, social and economic problems of the post-socialist, post-partition and post-conflict semi-periphery. What the new wave of protests brings is a clear rejection of the system, both political and economic, amounting to the loudest critique of capitalist economy in Eastern Europe since 1989. This critique stems from ordinary politically undefined citizens, the new radical left and some right-wing elements trying to co-opt the social rhetoric into their populist defence of the “nation” and its “traditional values”. In spite of nationalist conservativism, it is precisely in Croatia where, since the 2009 student protests, a movement dedicated to direct democracy developed. In many occasions direct democracy was successfully exercised not only among students, but workers, peasants and urban activists alike. Croatia as the country at the doorstep of the EU is therefore an excellent place to engage in a productive debate on possible alternatives or further degenerations of global capitalism and the way it influences the semi-peripheral and peripheral regions(…)

Can we see a possibility of a trans-european and also trans-regional cooperation? Can the experience from other world regions, such as Latin America, be useful for the current situation in Eastern or Southeastern Europe? As we can see from all this questions, the debate is not restricted only to Croatia or Eastern Europe, but is of importance for the entire Left. (Srećko Horvat & Igor Štiks, coordinators of the WFA meeting in Zagreb)

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Subversive film Festival

culturenet.hr

As the Arts Beat informs while the San Francisco-based Kronos Quartet prepared for a European tour, beginning on Thursday in Athens, its bags became a little heavier on Tuesday with two major awards.

Kronos will receive the Avery Fisher Prize (which carries a cash grant of $75,000), awarded in New York to individuals or chamber ensembles for outstanding achievement and excellence in music, as well as the Polar Music Prize (with a cash grant of about $166,000), awarded in Stockholm, also intended to recognize exceptional achievement in music.

The Polar award will be given on Aug. 30, when a similar award will be given to the singer and songwriter Patti Smith. To make the ceremony really interesting, the Swedes should stipulate that the winners have to perform together. These particular artists would probably enjoy it!

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Arts Beat

With over 5 million hits on YouTube, their passionate, dueling cellos version of Michael Jackson’s “Smooth Criminal” has taken the world by storm. Of the repertoire Stjepan says: “Both Luka and I love classical music and have studied it for years, but we are really excited to put our own take on classics by some of our favorite pop and rock artists.” Luka and Stjepan will make their first TV performance as 2CELLOS on The Ellen DeGeneres show on April 25th and on April 28th  they will play at Croatian music hall Vatroslav Lisinski,  accompanied by a worldly famous musician Maksim Mrvica, a humanitarian concert for the Japan.

Living in a small town in Croatia, 24-year-old music students, Luka Sulic and Stjepan Hauser, are living a dream come true – and quickly! After posting a self-made music video of them performing Michael Jackson’s “Smooth Criminal” on their cellos, the longtime friends received more attention than they ever expected. Within days, the video became a viral sensation and received millions of views. It got the attention of Sony MASTERWORKS who signed them to a record deal. Concurrently, they received a phone call from legend Elton John who invited them to join him on his European tour this summer. Their debut album is slated for a July 2011 release and will feature Sulic & Hauser’s unique spin on hits by Guns N’ Roses, U2, Trent Reznor and Kings of Leon among others.

Luka and Stjepan are both very accomplished musicians who have been playing the cello since childhood. Both recently completed their studies at the acclaimed Royal Academy in London. Luka Sulic has performed all over the world at renowned venues such as London’s Wigmore Hall, Amsterdam’s Concertgebouw, Vienna’s Musikverein and Konzerthaus. He has won a series of international prizes including first prize at the VII Lutoslawski International Cello Competition (Warsaw, 2009). Stjepan is also a very talented cellist and has performed around the world in most European countries, South Africa, New Zealand and the USA, with debuts in London’s Wigmore Hall, Royal Albert Hall, South Bank Centre and Amsterdam’s Concertgebouw. In his short career, he has already won twenty-one first prizes in national and international competitions including the prestigious Adam Cello Competition in New Zealand 2009 and VTB Capital Prize for Young Cellists 2009.

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Source:

http://stjepanhauser.webs.com/

vecernji list

A Trieste Contemporanea and Studio Tommaseo production are presenting  from April 16th 2011 to June 18th 2011 Vlado Martek’s exhibition: language in freedom, in the framework of the Words Room project conceived for the Continental Breakfast international network.

The exhibition is under the patronage of the General Consulat of the Republic of Croatia in Trieste, with the collaboration of  the Institute for Contemporary Art Zagreb and is sponsored by the Regione Autonoma Friuli Venezia Giulia, with the participation of Casa dell’Arte Trieste and Media Digital Business Srl. The curators are Dubravka Cherubini and Janka Vukmir, and contributors Dubravka Đuric and Darko Šimicic.

Media Via comment on Artisti Armatevi (Umjetnici naoruzajte se) : more grace is needed against the war-like impulse, as the famous Botticelli painting shows. “However, when Mars as an archetypal power is realised within us and the true warrior emerges, then his activity becomes focussed in service of Venus, of the Goddess, and he will fight to do her bidding, to restore her glory and reputation, manifesting his more noble qualities of courage, valour and honour. One only has to contemplate this fabulous renaissance painting of Botticelli to realise who is really in charge!”

Croatian artist Vlado Martek has a BA degree in philosophy and literature, whereby he entered the field of visual art by writing poetry. In the mid-1970s, his poetry acquired special forms: he extracted poetry from the book and incorporated it into “poetic objects” made of mirrors, clay and books; he wrote poster poetry which he exhibited in exhibition-actions held by the neo conceptualists Group of Six Artists (1975–1979) in the streets and squares of Zagreb and other places. Martek called himself a “pre-poet”, investing great effort into the “purification” of poetry to such an extent that it was reduced to no more than an emphasis on the reality of the constitutive elements of the poem’s materiality.

Source:

trieste contemporanea

kulturpunkt.hr

Venus & Mars: A Balance of Power

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Superheroes

A young Croatian multimedia artist Ana Schaub (1983) is introducing herself in a Zagreb “Gallery of Events” in Culture center Pescenica by positioning the problem of media induced reality. Mass-media and contemporary technology define and designe our lives, our perception, thoughts and feelings, if we are not aware enough of it.  The artist criticizes that false grotesque world of trivialities, creating the same methodes that are valued in them: false heroes and their false powers……(from the catalogue, written by Ivana Gabrić).

After finishing Croatian Academy of fine Arts Zagreb (2007), she developed her skills at Indiana University of Pennsylvania, US. Ana Schaub is in a process of doing her postgraduate work on video at Academy of fine Arts in Slovenia.

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Void of any aesthetic or technical presumptuousness, demystifying artistic photography and its author, these photo and video sketches on the iPhone provide, in a subversive way, insight into the artistic raison d’être of Fedor Vučemilović. (Gallery Vladimir Buzancic, Zagreb, Croatia, 4th-26th  April)

Just as he had done forty years ago at the beginning of his career, regardless of whether he was doing “pure” documentary or conceptual photography, both courses he set for himself in life ever since he was a member of the Group of Six Authors, Fedor Vučemilović has remained discrete in his work to this day, always paying attention to both the aesthetic and technical perfection of photography(…)

At first glance, these simple everyday trivia when “caught” by the camera become picture – icons. The picture does not describe or aestheticise what is seen in it. It records the scene or through gestuality designates the author’s presence in it. By eliminating his professional tools, the metiér is deconstructed and thus turns into observation, while the artist becomes the observer. fedor catalog
(Anita Zlomislic)

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Croatian video selection curated by Darko Fritz will be screened on 1st April on ´CologneOFF 2011´ Festival at Arad Art Museum  (Romania). 14min cut from ´Mechanical Figures´ by Bulaja.com, ´Archeo 29´ by Vladislav Knezevic and Edita Pecotic´s ´Time to Go Home´ will be presented within the festival´s programme. With an international team of authors, since 2006 Helena Bulaja is developing her new project, experimental interactive documentary Mechanical Figures, inspired by Croatia-born scientist and inventor Nikola Tesla.

Examining subjective opinions and myths about the private life of inventor Nikola Tesla (1856 – 1943) in her work Mechanical Figures_Inspired by Tesla, Helena Bulaja reconstructs the ideas and the significance of his public activities.

The film will be released in different media: as a linear theatric and TV documentary, a series of short films, as well as an interactive film for the Web and mobile devices such as iPhone and iPad. In the film, stories and thoughts about Tesla and creativity are told by some of the most intriguing and inspiring artists, thinkers, writers and scientists, like the film director Terry Gilliam, musician and artist Laurie Anderson, performance artist Marina Abramovic, writer Christopher Priest, new media theorist Douglas Rushkoff, actor Andy Serkis, scientist and president of Kyoto University Hiroshi Matsumoto and others.

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culturenet.hr

While celebrating a school day the Croatian Primary school “Ivan Goran Kovacic” from Slavonski Brod prepared integrated project “Cultural Heritage” and presented  it inventively as an exhibition of workshops and a special Multimedia Ambience.

The project “Cultural Heritage” included several workshops: Slavonian cuisine, customs, housing, traditional kids games, folk habits, dance etc. This year a special event was a Multimedia Ambience created by team leader MA Vesna Srnic which integrated atonal music  “Improvisation II for piano and tape” composed by Kresimir Seletkovic and played by Damir Greguric, installations, projections and  jumbo poster with cultural authorities from the County history and contemporary artists as well, thus connecting tradition and (post)modernity.

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The Perforations Festival takes place annually in Croatia and presents a range of artists working in performance art, theater, and dance, whose diverse approaches to art-making blurs the borders between these genres. Highlights from this festival will be presented in New York at La MaMa from March 11 – March 20, 2011.

Their work touches upon issues of identity (public, political, religious), redefining borders and space, a collective past, and personal histories, but most of all their work talks about the present. Highlights from this festival will be presented at New York La MaMa, offering audiences insight into contemporary lines of artistic thinking from some of the most provocative and influential artists in the region. Perforations Festival New York will feature U.S. premieres from Ivo Dimchev (Bulgaria); BADco. (Croatia); Sanja Mitrović (Serbia); Igor Josifov (Macedonia); Petra Kovačić (Croatia); Željko Zorica (Croatia); Slovenian Youth Theater (Slovenia); Via Negativa (Slovenia); and Ivica Buljan/Mini Teater (Croatia/ Slovenia).

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Sources:

La MaMa

kulturpunkt

Iannis Xenakis (1922-2001) was a musical master, and as a composer he was good at getting musicians to make a lot of noise – naturally, deeply organized noise! At Lincoln Center’s TullyScope festival in New York while playing,  Les Percussions de Strasbourg were stationed around the hall, so that the audience was surrounded.

“The score, in four movements, probes specific kinds of sound (mixed timbres, metals, keyboards and skins) in a blend of complexity and directness, with persistently repetitive sections offset by unpredictable bursts and sudden changes of direction.” (Listen toperformed “Persephassa” on  Music Online)

Iannis Xenakis was an ethnic Greek, naturalized French composer, music theorist, and architect-engineer. He is commonly recognized as one of the most important post-war avant-garde composers. Xenakis pioneered the use of mathematical models such as applications of set theory, varied use of stochastic processes, game theory, etc., in music, and was also an important influence on the development of electronic music.

Source:

New York Times

Wikipedia

“Santiago Calatrava, one of the most famous contemporary architects, has arrived in Belgrade after being invited by the Belgrade Philharmonic Orchestra Foundation Zubin Mehta.

This Spanish architect, acknowledged and famous as both engineer and sculptor, is part of the elite of modern architecture whose works decorate cities on three continents.

Calatrava’s early career was dedicated largely to bridges and train stations, whose designs elevated the status of civil engineering projects to new heights. His Montjuic Communications Tower in Barcelona, Spain (1991) in the heart of the 1992 Olympic site, as well as the Allen Lambert Galleria in Toronto, Canada (1992), were important works and turning points in his career, leading to a wide range of commissions. The Quadracci Pavilion (2001) of the Milwaukee Art Museum was his first building in the US. Calatrava’s entry into high-rise design began with an innovative 54-story-high twisting tower called Turning Torso (2005), located in Malmo, Sweden. Calatrava’s structures, mainly made of concrete, glass and steel, are also famous for defying the laws of gravity.

During the two-day stay in Belgrade, Mr. Calatrava will talk with the officials of the Foundation about its projects, and one of the topics should be the vision of the new building of the Belgrade Philharmonic Orchestra.”

The Belgrade Philharmonic Orchestra prepared very concise  and thoroughly elaborated concept  of the house of music with the characteristic title: The Rose of Civilisations. The chosen location is at the delta of Sava and Danube rivers, thus The Rose of Civilisations will powerfuly seal off the bloody chapters of the past and open the peaceful future.

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Source:

http://www.jutarnji.hr/kultura/umjetnost_i_dizajn/

http://livinginbelgrade.com/Santiago_Calatrava_visiting_Belgrade

The Metropolitan Opera’s opening-night gala traditionally begins with  “Das Rheingold,” the first of Wagner’s “Ring” operas, but instead of an old conductor James Levine, this time with the director Robert Lepage’s new production, the first installment of a complete “Ring” cycle.

 

“Mr. Lepage’s “Rheingold” is the most intensely anticipated new production the Met has mounted in years. For the most part it was an impressive success: an inventive, fluid staging and a feat of technological wizardry that employs sophisticated video elements without turning into a video show.Wagner buffs tend to be a fanatical sort, and no doubt there will be debate about Mr. Lepage’s work. Here he received a mostly enthusiastic ovation with scattered boos. I had mixed feelings,”  Anthony Thommasini stressed at the New York Times.

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More:

http://www.nytimes.com/2010/09/29/arts/music/29met.html

German Oscar-nominated directors Wim Wenders and Werner Herzog unveiled features that push the limits of 3D cinema, which until now had been a money-spinning vehicle for mass-market movies like “Avatar” and “Toy Story 3.”

Art-house cinema broke into the next dimension at the Berlin film festival (10th-20th February) Sunday with hotly awaited 3D premieres from European veterans seeking to reclaim the format from Hollywood blockbusters. Wenders’s “Pina,” which showcases the work of the late German choreographer Pina Bausch, had been years in the planning. The picture takes the choreography from the rehearsal stage to the city’s roughly beautiful industrial spaces. Intercut are interviews with the performers, who were still mourning Bausch’s loss, adding a deep emotional undercurrent to the film.

Herzog’s documentary “Cave of Forgotten Dreams” shines a light on what are believed to be the world’s oldest cave paintings, in southern France (the Chauvet Pont d’Arc cave in the Ardeche valley). A specially built hand-held camera captured the paintings in relief, revealing how the ancient artists used the grotto’s own contours to add nuance to their work.

The Berlin film festival runs until February 20.

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More:

http://www.thelocal.de/society/20110213-33081.html

WHW curatorial collective from Zagreb has announced  that the concept for the next Croatian Pavilion at the Venice Biennale is going to be based on the artworks by performance artist  Antonio Lauer aka Tom Gotovac and performative collective BADco. while exibited at Arsenale.

WHW initiated the project  in 1998 when independent alternative publishing house Arkzin published 150th anniversary edition of the Marx’s Communist Manifesto with an introduction by Slavoj Zizek, took its shape in the area in which the considerations about possibilities of political and artistic engagement were interlocked with issues of local daily politics. The collective has curated a wide range of international exhibitions around the world, most notably the Istanbul Biennale 2009.

Many years of consistent work in the field of experimental film and performance, made Tomislav Gotovac one of the most important Croatian contemporary artists. Gotovac began to transfer daily activities to art sphere with public performances such as Haircut and Shaves (1970, 1971) Watching TV (1980). In 1971 he acts in Lazar Stojanović’s film Plastic Jesus. The film was banned due its subversive content and Gotovac was not allowed to graduate till 1976. In 1971 Gotovac have run naked through Belgrade’s Sremska Street. The performance was reencted ten years later in Zagreb’s main street Ilica for Zagreb, I love you (running naked, kissing the asphalt) performance, which shocked dormant environment. In 2005 Gotovac has changed his name to Antonio Lauer. He died in 2010.

BADco. is a collaborative performance collective based in Zagreb, Croatia. Reconfiguring established relations between performance and audience, challenging perspectival givens and architectonics of performance, problematizing of communicational structures – all of that makes BADco. an internationally significant artistic phenomenon and one of the most differentiated performance experiences.

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More:

http://www.culturenet.hr

Zaha Hadid Architects have designed two prototype villas for a site overlooking the historic town of Dubrovnik in Croatia. The total development comprises 400 villas, two 5* hotels, luxury apartments, retail facilities, a spa and an 18 hole golf course including a golf resort club house.

The concepts, named “Rock” (left) and “Shell” (right), have been developed to help define the architectural style of the resort, which will eventually consist of 400 villas plus hotels and a golf course. The area of development is located north of Dubrovnik, a Unesco World Heritage Site. The land comprises 430 hectare and is located on a high plateau approximately 300m to 400m above sea level, north of the old town of Dubrovnik.

Design concept has a highly expressive, sculptural quality, infused with a sense of light and space. Light and views are the driving forces of the house.

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Source:

http://www.dezeen.com/2011/02/07

A famous American journal for design  How has chosen Croatian poster for the Festival of European short stories 2010, between the ten best posters in the world. A creative poster is Maja Bagic Baric and Danijel Srdarev‘s  work of art.

At this year’s How’s competetion  How Poster Design Awards there were 800 authors entered from the whole world, but just ten of them were chosen as  the best. This is not the first collaboration of Bagic and Srdarev: for the same festival they won the gold in 2007 at the Graphis Poster Annual in New York, and were found themselves close to the biggest designers as Miltona Glaser and agencies like Pentagram Design, Penguin Design, Apple Computers, Ogilvy and Mather, and 2008 was a successfull year as well while competing  at ‘The Undiscovered Letter’ in famous gallery for visual communications Art Directors Club New York.

One of the winners is also the Croatian illustrator and designer Mirko Ilic with the work ‘Nuclear Power Plants’. He has been famous for his working as an art director in Time and The New York Times during 1980’s.

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Source:

http://www.culturenet.hr/

One of the longstanding promises of the Internet–of the last century’s worth of technology, really–is that the cultural heritage of the world will be accessible to everyone in their homes. Today, the global museum has taken another step forward with Google Art Project.

An ingenious application of Google’s Street View and Picasa tools, it allows web browsers to wander the halls of 17 museums around the world (New York City’s MoMA, Amsterdam’s Rijksmuseum, the Hermitage in St. Petersburg, and others).

Some particularly significant artworks in each of the museums (about a thousand total, although more will apparently follow) can be viewed straight-on, in ultra-high resolution. In some cases, that just means a very tight close-up view; others are so detailed that you can make out the grain of individual brushstrokes–a closer view than you’d ever be able to get in person. There’s also explanatory text for the individually viewable works.
Read more:

http://www.googleartproject.com/c/faq

http://techland.time.com/2011/02/01/google-art-project-launches-why-its-amazing/#ixzz1CoRras7r

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Using a single Xbox Kinect and standard graphics chips, MIT (Massachusetts Institute of Technology) researchers demonstrate the highest frame rate yet for streaming holographic video.

At the Society of Photo-Optical Instrumentation Engineers’ (SPIE) Practical Holography conference in San Francisco the weekend of Jan. 23, members of Michael Bove’s Object-Based Media Group presented a new system that can capture visual information using off-the-shelf electronics, send it over the Internet to a holographic display, and update the image at rates approaching those of feature films.

The researches are confident that with a little more time, they can boost the rate of 15 frames per second even higher, to the 24 frames per second of feature films or the 30 frames per second of TV — rates that create the illusion of continuous motion.

http://web.mit.edu

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From 7 to 17 April, the 2011 ISCM World New Music Days are taking place within the 26th Music Biennale Zagreb 2011 in Croatia. Theme of the festival is Mirabilia Memorabilia.

The 26th Biennale, while celebrating 50 anniversary, will host the Inernational Society for Contemporary Music ISCM–World New Music Days 2011 Festival, which is once again returning to Zagreb, one of the few metropolises in the world the ISCM has chosen to host this festival. As much as 259 compositions by 51 sections entered into the open competition, along with 140 individual entries from all over the world.

The compositions are carefully selected by a panel of distinguished artists who met in Zagreb October 15th-17th: Luc Brewaeys (Belgium), Benet Casablancas (Spain), Lojze Lebic (Slovenia), as well as Marko Ruždjak and Nikša Gligo (Croatia). The panel’s work is overseen by the artistic director of the Music Biennale Zagreb Mr. Berislav Šipuš, and the selected compositions will be performed by orchestras coming from all over the world which are participating in the Biennale programme http://www.mbz.hr/eng/mbz_2011/program .

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Source:

http://www.mbz.hr/eng/press

http://www.iscm.org/

After Marina Abramovic’s  famous performance  at Moma in New York last year, here comes another great performer, Croatian artist – Sanja Ivekovic. Born in 1949 in Zagreb Ivekovic  is among the most influential feminist artists and activists in European and global context.

By using very different media (video, performance, installations, and non-artistic media such as newspaper ads, postcards, or posters), she began discussing very early the mechanisms of social identity construction, placing an emphasis on the female identity as subject to social expectations and stereotypes since the ancient times.

“In her persistent exploration of the border between the public and private self, Iveković subtly insinuates the collective responsibility we share for the things that take place around us. By doing so, without any moral exhortation, her art permits us to see more clearly the interdependence of things and the scalability of our actions, from small gestures to grand narratives.”

Photo: Triangle

(Ivekovic performed a provocative Triangle alone on her Zagreb balcony: She read, drank whiskey, and pretended to masturbate at the moment Tito’s motorcade passed by. The triangulation involved not only three offending actions but a policeman stationed on a nearby roof, who she knew would see her, and the officer he summoned, who rapidly arrived.)

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Source:

http://www.msu.hr/#/en/300038/

http://vanabbemuseum.nl/

MIT Media Lab introduces new inFORM’s Dynamic Shape Display “that can render 3D content physically, so users can interact with digital information in a tangible way. inFORM can also interact with the physical world around it, for example moving objects on the table’s surface. Remote participants in a video conference can be displayed physically, allowing for a strong sense of presence and the ability to interact physically at a distance. Learn more and watch video of inFORM in action on the Tangible Media research group website: http://tangible.media.mit.edu/project/inform/”

But shape-shifting technology is far away from human transformations…

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Source:

media.mit.edu

tangible.media.mit.edu

latimes

At the Kunsthalle Wien where the exhibition POWER UP – Female Pop Art is opened till March, you can find out  that except famous artists Warhol, Lichenstein, Wesselmann, Rauschenberg – there were hardly available, powerful women as well!

“Rediscovering outstanding women Pop artists, POWER UP fulfills Dorothy Iannone’s combative promise after fifty years. The show aims at the reinterpretation of an art movement that until today has primarily been associated with male protagonists. Plastic, loud colors, reduced forms, and graphic contours – the nine women artists’ works on display resemble those of their male colleagues in many respects. Whereas their works appeal to the taste of the masses, these artists, as pioneers of Feminism, have remained belligerent and critical. They reveal the consumer culture’s superficiality, exposing the commodity myth as an empty shell like Christa Dichgans, ironically transforming everyday objects to oversized kitsch objects like Jann Haworth, or exploring mass media clichés and superstar constructions like Rosalyn Drexler. Like Sister Corita, a committed peace activist, they took a clear stand on the sixties’ social and political events such as the Vietnam War.

The exhibition pursues its political perspective in those instances where the era’s current notions of what a woman is are revised by different views: Kiki Kogelnik and Marisol describe the corset in which the representation of women by themselves and by others is caught, while Evelyne Axell or Dorothy Iannone provocatively display the nude body, love, and sexuality, and, like Niki de Saint Phalle, attract the viewer’s attention with sophisticated modes of self-presentation.”  (Curator: Angela Stief)

MV

Source:

http://www.kunsthallewien.at

The stats helper monkeys at WordPress.com mulled over how this blog did in 2010, and here’s a high level summary of its overall blog health:

Healthy blog!

The Blog-Health-o-Meter™ reads This blog is doing awesome!.

Crunchy numbers

Featured image

A Boeing 747-400 passenger jet can hold 416 passengers. This blog was viewed about 4,000 times in 2010. That’s about 10 full 747s.

In 2010, there were 45 new posts, not bad for the first year! There were 573 pictures uploaded, taking up a total of 215mb. That’s about 2 pictures per day.

The busiest day of the year was October 15th with 82 views. The most popular post that day was New Media Genres .

Where did they come from?

The top referring sites in 2010 were WordPress Dashboard, facebook.com, mail.yahoo.com, mail.live.com, and kulturologijaosijek.ning.com.

Some visitors came searching, mostly for high fashion photography, high fashion, rade serbedzija, venice biennale 2010, and mediavia.

Attractions in 2010

These are the posts and pages that got the most views in 2010.

1

New Media Genres September 2010

2

A floating pavilion on Venice Biennale – collapsed! August 2010
1 comment

3

Photography as an Art Extended Media August 2010

4

About May 2010
1 comment

5

E-Learning October 2010

A Christmas tree made entirely of recycled bicycles is unveiled at the Rocks on November 19, 2010 in Sydney, Australia.
The bikes and parts for the tree were provided by recycling group, CMA Corporation, and will remain on display until 28 December when it will be returned to the corporation for recycling.
“The Rocks Christmas tree is made from the recycled parts of up to 100 bicycles. The tree-cycle is the third Christmas tree made from Recycled materials by Sydney Harbour Foreshore Authority. This year’s tree stands approximately seven meters tall and took eight weeks to design and build.”

In 2008, the selected media was chair, 2009 was a year of recycled bottles, and this year  organizers go for bike parts.

Photo by Chris Lynch

MV

Source:

http://icetubesblog.com/

http://www.iransdesign.com/search/tree%20cycle%20sydney

Boris Poljak and Damir Cucic won a prize for their film ‘Sky Spirits’,  made in ‘Croatian Film Clubs Association’ production, at the  Alternative Film & Video festival in Belgrade (Serbia). The awarded  authors got a special  bonus – the possibility of producing next film or video work at Academic Film Centre (AFC) in Belgrade.

The experimental film ‘Sky Spirits’ used the documentary recordings of  fireworks as a bases, that have been collected during 2001-2008. They didn’t use computer programmes, but has been created  just by video processing.

Croatian Film Clubs’ Association is an association of non-professional film and video groups operating in Croatia since 1928. Founded in 1963 as the Croatian Cinema Association (and the Centre for Croatian amateur cinema before that), the Association works today as part of the Croatian Technical Culture Union.

Croatian Film Clubs’ Association assembles cinema and video clubs, film groups and individuals from primary school to adult members, encourages their work (providing financing, managing and expert help), contributes to education of mentors and members of film groups, organizes presentations and evaluation of film and video works by children and adult authors, at home and abroad, and works on preservation of best film and video works of non-professional cinema. Since 1992, the Association has been a member of the international organization of non-professional cinema (UNICA).

MV

Source:

http://www.hfs.hr/

Following a recent ceremony in Rabat, Morroco, Agence pour l’Aménagement de la Vallée du Bouregreg (The Bouregreg Valley Development Agency) verified that architectural designs will be provided by .  The program will include three theater spaces, indoor spaces consisting of 2,050-seat and a 520-seat, and a fully-equipped outdoor amphitheater holding up to 7,000 people.

The theaters will share back of house facilities, efficiently reducing the size of the building services needed.  Creative studios will also be incorporated into this cultural venue.  Estimated cost is at 120 Million Euros for the Rabat Grand Theatre.

MV

Source:

http://www.archdaily.com/

http://www.dezeen.com/2010/11/22/rabat-grand-theatre-by-zaha-hadid-architects/