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Performance: Sleeping between Heaven and Earth (Mijatovic, 2010). Image courtesy of CuratorThe Croatian multimedia artist Kata Mijatovic is going to exhibit her work at the 55th Venice Biennale, which will be held from 1st June to 24th November on the topic ‘Il Palazzo Enciclopedico’ given by the Biennale art director Massimiliano Gioni. The work can be seen/created at Museum of Modern and Contemporary Art in Rijeka at 20th February.

The curator, famous expert for Avant garde Art, prof. Branko Franceschi, chose her work „Archiving the dreams“ as a sort of „mapping the hidden, unattended unconscious dimensions of Reality“. The Author’s long term project is based on collecting, writing and using the other people’s Dreams.

You can ask yourself about the meaning of subconsciousness in constructing the Reality, as well as add your dreams in writing at Facebook profile Arhiv snova” (Dream Archive).

MV

A roundatable The NGO “Culture, Media and Education” – ARTHEA successfully implemented multicultural project, created by president dr. Vesna Srnic, named “WORLD IMAGE AND PERFORMATIVENESS OF GLOCAL CONSCIOUSNESS”. The project was finalised on 10th May, at 12 am at the town square in the form of performance (dance of the Indian girl Gayatri) and as an international roundtable / symposium in the conference hall of Hotel Art in Slavonski Brod, Croatia. Croatian “Ministry of culture”  informs on our project on their web page Culturenet.hr.
Our project exRoundtableamines orchestration of the World Image through global and local considerations, therefore, the glocal-art strives to eliminate the negative effects of globalization on the vitality on the one hand and localizations of nationalisms on the other . The purpose of the global and local ( glocal ) reflection on the multicultural project is easing the fear from/of foreigners or xenophobia, and was prepared in the framework of the EU week in Brod-Posavina County. More about the project can be found on the NGOs online platform, social network http://glocal-art.ning.com.

http://www.youtube.com/watch?v=mm8VuahDEUYIndian dancer Gayatri at the Town square

The project implementation participants :
Prof. doc. Vladimir Frelich from the Academy of Arts, Osijek and graduate Lucija Jakovina, Ph.D. Vesna Srnic, external collaborator of The Faculty of Teachers’ education in Osijek, dislocated study in Slavonski Brod with students Tanja Djuric and Iva Bagaric, Doctors of science of Association NGO “New peas”, Belgrade, Serbia: Dr. Vlatko Ilić and Dr. Aleksandra Brakus, MA. Jugoslav Gojkovic, Dr. med. psychiatrist,
Ph.D. Zdravko Palavra, Information and communication sciences, Embassy of the Republic of India, Zagreb and professional dancer Gayatri Maric, as well as Europe House Slavonski Brod and head of the EU direct Prof. Bozica Sedlic.

Colleagues who did not attend, have been included in the discussion and exchange of information across our virtual online platform, social network http://glocal–art.ning.com: distinguished anthropologists Ph.D. Vanja Bors from Faculty of Humanities and Social Sciences in Zagreb and Dr. Semir Osmanagic with dual addresses in Houston and Sarajevo, visual communications theorist Dr. Kruno Martinac from Melbourne, MA. doc. Vladimir Frelih from the Art Academy in Osijek , as well as Professors Dr. DivnaVuksanovic and Dr. Dragan Calovic media aestheticians, mediologists and co-organisators of an international symposium Philosophy of media.
The project is being implemented in collaboration with the European House in Slavonski Brod , under the auspices of the Town Slavonski Brod, Brod- Posavina County and the Administrative Department of Development and European Integration.

(Croatian “Ministry of culture”  informs on our project on their web page Culturenet.hr.)

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ikonica_Event_MV“Quantified Self to Essential Self: mind and body as partners in health” is a talk with Linda Stone at MIT on April 10th, but seems as a weak idea of computer and human multitasking in multimedia art.

Stone claims that “Quantified Self to Essential Self  is a key movement to bring us into a more harmonious relationship with our bodymind and with technology. The Quantified Self movement celebrates “self-knowledge through numbers.” In our current love affair with QS, we tend to focus on data and the mind. Technology helps manage and mediate that relationship. The body is in there somewhere, too, as a sort of “slave” to the mind and the technology.”

She elaborates “However, in our relationship with technology, we easily fall out of touch with our bodies. We know how many screen hours we’ve logged, but we are less likely to be able to answer the question: “How do you feel?””

Stone had asked questions, and tried to answer: “So, what is Essential Self and what technologies might we develop? The Essential Self is that pure sense of presence — the “I am.” The Essential Self is about our connection with our essential nature. The physical body, our senses and feelings are often responsive to our behaviors, to others, and to activities in ways to which we fail to attend. What if we cultivated our capacity to tune in in the same way animals tune in? What if we had a set of supportive technologies that could help us tune in to our Essential Self? Passive, ambient, non-invasive technologies are emerging as tools to help support our Essential Self. Some of these technologies work with light, music, or vibration to support “flow-like” states.”

Stone tried to conclude: “While quantified self technologies offer value by contributing to awareness (of steps, pulse ox, HRV, etc.), Essential Self Technologies support us in tapping into the wisdom of the body. Quantified Self is to Essential Self as syntax is to semantics”

But this weak idea of computer and human multitasking in multimedia art is just Stone’s question without answers…Media Via’s editor Dr Srnic gives the answer in her scientific paper: PHD SRNIC: MULTITASKING ACTUALISATION IN MULTIMEDIA ART

MV

Source:

media.mit.edu

radar.oreilly.com

Vocal_vibrations“We know that health has an impact on the voice. Conversely, can the voice affect our physical and mental conditioning?” From March 28, 2014 to September 29, 2014, for its 18th Experiment,  The Laboratory Paris presents Vocal Vibrations by Tod Machover, composer and inventor, and Neri Oxman, architect and designer, both from the MIT Media Lab, which explores the issue of voice and its impact on the body.le_laboratoire

As we read at La Laboratoire web page: “From 28 March to 29 September 2014, Vocal Vibrations, an original installation and design, invites the public to discover the relationship between sound vibrations stimulated by voice and their effects on human physiology, with sensory, unique and exceptional experience. This experience has been realized in collaboration with The Venerable Tenzin Priyadarshi, Buddhist monk, director of the Dalai Lama Center for Ethics and Transformative Values ​​of MIT, the bold-design studio, Professor Craig Carter of MIT, Situ Fabrication, Stratasys, and a team composed of researchers from MIT Elly Jessop, Rebecca Kleinberger, Charles Holbrow and Al Grodzinsky.”

MV

Sources:

lelaboratoire.org

media.mit.edu

“How to Love and Criticize Technology at the Same Time” is a Media Lab conversation at the Massachusetts Institute of Technology. Jaron Lanier will talk with Ken Perlin, Hiroshi Ishii, and Pattie Maes on Wednesday, March 05, 2014. 

Media_LabLanier elaborates: “There’s a new upwelling of anti-technology feeling that needs to be countered by sympathetic technologists. We’ve brought it on ourselves. If we go around bragging that we’ll live forever, and that people shouldn’t worry about little issues like jobs because the singularity is about to happen, we should expect ridicule.”

As MIT informs “Jaron Lanier worked for Marvin Minsky at Atari research on Kendall Square at the start of the 1980s. He either coined or popularized the term “Virtual Reality” and in the early 1980s founded VPL Research, the first company to sell VR products. He led the team that developed the first implementations of multi-person virtual worlds using head mounted displays, for both local and wide area networks, as well as the first “avatars,” or representations of users within such systems.”

Grateful Dead at Reuters

http://www.reuters.com/video/2014

MV

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Media Lab

http://www.reuters.com/video

The American “International Journal of Multidisciplinary Thought” has just published in Volume 03/ Number 03 (for internal use) scientific work “Multitasking Actualisation in Multimedia Art” written by Media-Via’s editor PhD Vesna Srnic.

IJMTIn the long run, multitasking can, when used superficially, cause damage to memory and studying, and can even lead to weakened wisdom. The aim of this paper was to show all ways in which we can deepen our experience and find existential foothold in multitasking multimedia art, both technological and human. The key process in artistic multitasking is, as Sartre explained, a proactive existence of the body, and we add: by intensified experience through emotional cognition, disciplined calming of the mind and intensified attention.Although most researchers mention great stress and adrenaline release in intense situations of multitasking operations, we think the opposite: in multimedia artistic performances multitasking helps achieve a state of deep contemplation through which perceived existence can be adapted and recreated.We are first to bring the papers in public:

“Multitasking is a notion taken from the computer technology area and refers to simultaneous execution of multiple tasks or processes, so we can differentiate between computer and human multitasking. Although in computer multitasking tasks are being executed one by one, its complex arrangement helps build the world of illusionary parallelism known as symmetric multiprocessing.

Human multitasking has been frequently criticized as a simultaneous execution of several commonplace activities such as making phone calls and driving a car, which most frequently leads to distraction and damage to short-term memory.  However, this problem can be solved by repetition and practice, especially if the tasks are interesting and amusing. Scientists believe that such continuous attention is only partial and specific to multitasking and that such cognition is not deep enough.  An example of the most popular and most commercial multitasking is media multitasking – simultaneous usage of the Internet and web, e-mail or electronic mail, television, telephone, radio, video games, CD player etc. Research has shown that not only younger generations are especially skilful at these activities, but older generations as well. Still, it has to be emphasized that distraction and the need to be informed have prevailed over the importance of studying.

However, this paper aims to introduce the notion of ‘multimedia art’ into the sphere of multitasking and to prove that multimedia art is a fertile ground for its application due to its exceptional capacity of orchestrated affective experience of artistic action, and that it is also very convenient for rooting the basic energy of existential support in authenticity and organic memory.”

Here is the full text of scientific paper: PHD SRNIC: MULTITASKING ACTUALISATION IN MULTIMEDIA ART

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http://www.universitypublications.net/ijmt/

http://www.universitypublications.net/

A famous American Art Historian Dr. W.J.T. Mitchell, well known for his exceptional opus in visual arts theory, will be a keynote speaker at the Center for Visual Studies conference in Zagreb, from 7th to 9th November, 2013. As the author of the book “What do Pictures want?”, he continuously asks about the “lives and loves of images”, discusses their synergy with technology and mass media, pointing out the contemporary human reality as woven in cyborging and biocybernetics, and concludes that “we will never be done with asking what images mean, what effects they have on us, and what they want from us.”  The author of this observation, Media-Via editor and president PhD Vesna Srnic offers the possible solution, based on her doctoral disertation “Electronic Media and Aesthetics in Postfeminist Theory”: Just deeply synaesthetic phenomenon of “Here and Now” as the affective experience without Images, Sounds and Words – does count as the Mastery!


Agreeing with Dr. Mitchell’s colleague Dr. M.B. Hansen on a thesis statement about the penetrating, sharp intensity of digitalizing regime, as well as about the formatting and framing the content in such artistic media, Dr. Mitchell chooses just posthumanistic pesimistic attitude to discuss, what is a prevailed case in wide global range. The glass with water can be seen as half-full or half-empty! Our opinion is that deep affective perception in Life and Art makes that the Artist who treats technology as a tool and extension, is phenomenologically present in existence holistically, not as a Hermaphrodite, nor Cyborg or Grey, but charismatically as the Live Master in the Media Art. Thus we all of us should be the Artists of applying the hardware and software in wetware, performing deeply affective body and soul language. Just deeply synaesthetic phenomenon of “Here and Now” as the affective experience without Images, Sounds and Words – does count as the Mastery!

MV

A Vacation From History is a magical journey unfolding on the border between dream and reality in which the audience – deprived of the usual theatrical ritual and spectator’s distance – takes part with their entire being.The performance Vacation from History by Shadow Casters will be presented to national and international attendants and collaborators of the IETM (International network for contemporary performing arts, Zagreb, October25-28) plenary session on October 26th at 7pm and on October 27th at 11am.

A Vacation from History is also a multimedia theatre performance in which the Shadow Casters re-establish a new synergy with the audience each time it is performed, making each performance unique in content. It  is a meta(physical) comment on Kafka’s work: a travel to the edge of collective and individual consciousness, through the realms of dream and death as the only safe refuges from history. Vacation from History, has been presented by international theater festivals in Croatia and abroad: Zagreb, Pula, Sarajevo, Belgrade, Subotica, Maribor and Cluj and was awarded: Special Jury Prize BITEF 2009, the 2008 “Avaz dragon” Award at the 48th MESS Festival, 2010 “Cloud” Main Award of the 16th Pula International Festival PUF.

Shadow Casters is a non-profit international artistic and production platform for interdisciplinary collaboration, creativity and reflection on inter-media art. Working with public urban space through various art interventions and projects is one of the main areas on which their work is focussed.

Concept: Boris Bakal

Script, Director: Boris Bakal, Katarina Pejovic

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Ivan Kozaric by Luka Mjeda, '98 (MSU, photo MV)Ivan Kožarić’s exhibition “Freedom Is a Rare Bird” will be opened on June 21 at Haus der Kunst in Munich as a collaborative project with the Museum of Contemporary Art Zagreb, Croatia. (Pictures from the Museum of Contemporary Art (by MV))

“Why to live if not freely” says the author and writes the motto on the wall of the Croatian MSU museum as well. “I’m not an artist but I am, nevertheless, a bad sculptor. Through my search, I came to the point where I can say that I am on the trail to discover art, and I am content with that.” (Ivan Kožarić)

Ivan Kožarić (born in 1921 in Petrinja, lives and works in Zagreb) completed his studies at the Academy of Fine Arts in Zagreb in the late 1940s. He has since become one of the most influential postwar avant-garde artists in what was once Yugoslavia. “Freedom is a Rare Bird” represents six decades of his complex artistic oeuvre and is the most comprehensive survey exhibition to date to be devoted to the sculptor outside of his native Croatia.

Kožarić has always kept the character of his works open. He reworks earlier pieces, reprocesses earlier ideas, and intentionally dates works inaccurately or incorrectly. To do justice to this openness, the exhibition is organized according to thematic connections within his work, rather than to chronology, style, or development.

Source:

culturenet

MV

Breda Beban, Arte Vivo (Courtesy of the curator)“Although there is something classical in the composition that in Breda’s figures of kisses develops from tongues and heads positions suggesting a spiral movement that will eventually propel the lovers in the sky, not unlike the baroque representations of ascension, the kiss in her Arte Vivo assumes the form of political viewpoint and not only about the social reality at that, but about the universal order as well.“(Branko Franceschi: The Adventure of Emotions). The exhibition is moved from the Italian “Trieste Contemporanea” Studio Tommaseo to  NO gallery of the Museum of Contemporary Art in Zagreb, Croatia/MSU (20th June, 2013 – 3rd July 2013)

Culture wise, the implications are numerous: from philosophical, as in Plato’s Symposium, to those strictly artistic in masterpieces of modernism as in works by Rodin, Munch, Brancusi, Picasso, Warhol and others. Obviously, the realisation of civilisation of democracy and liberal sexuality highlighted the intimacy of kiss as a theme of mainstream art, but it is not accidental that it was Vivo Dito of a female artist to point at the universal and quintessentially emancipating nature of its public display.

Breda Beban was an artist, filmmaker and curator/creative producer whose work deals with contemporary notions of subjectivity and emotion that occur on the margins of big stories about geography, politics and love. Breda Beban’s films and photographs are recognized as unique expressions of intimacy, vulnerability and authenticity.

Breda Beban died in London in 2012 fighting to the bitter end for the intensity of  life that she was promoting by her art. The fate coupled these two activists (Beban/Alberto Greco) in the great narration about meaning and role of art that marked the culture of the 20th century. Their voices added passion to this central theme that could be generated only from the so called ‘cultural margins’ they themselves stemmed from and without which the ‘centre’, as Croatian art historian Želimir Košcevic once said, wouldn’t be anything else but a ‘black hole’.

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Kronos at 40

Kronos Quartet celebrates its 40th anniversary and launches a fifth decade of innovation and exploration with an impressive array of projects and special events during its 2013-14 season. Since Kronos’ debut concert at North Seattle Community College in November, 1973, it has become one of the most influential groups in any musical genre. They changed the way chamber music is presented by incorporating sound and lighting design, and theatrical elements. On July 14 they will perform free mega-concert at Stern Grove Festival in San Francisco.

Highlights of Kronos’ program include the world premiere of Notoation, a festival-commissioned work by electronic musician Amon Tobin; Death Is the Road to Awe by Clint Mansell, from his soundtrack to Darren Aronofsky’s film The Fountain; plus works by Café Tacvba, Ramallah Underground, and others.

MV

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http://kronosquartet.org

As the Culturenet informs “Sanja Iveković’s solo exhibition Waiting for the Revolution is on view from June 2 to September 16 at Mudam in Luxemburg. Curators are Christophe Gallois and Enrico Lunghi.

Sanja Iveković, a central figure on the Croatian art scene, has developed an engaged artistic practice since the early 1970s, animated by questions of genre, media, identity, and the public and private spheres. Her exhibition at Mudam – a decade after her unprecedentedly controversial public space project Lady Rosa of Luxembourg, which addressed the often -overlooked role of women in wartime – will present a large panorama of her works realised from 1975 to the present.”

MV

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culturenet

mudam

New Wave Architecture‘s proposal (one of eight) for the 2015 Milan Expo demonstrates an essence of Iran brought together in a series of organic forms. The expo’s theme, “Feeding the Planet, Energy for Life”, is encapsulated the designer’s exploration in culture, literature and Iranian art. The conceptual idea behind New Wave’s proposal, The Persian Garden, reflects the cycle of a tree: the organism is fed by the soil, grows and blossoms, before nourishing people and spreading throughout the earth “to asset its support”” – can be read at the ArchDaily.

Persian_gardenThe portal continues that “according to the architects, “the tree offers a pleasant space on its shadow, carries natural ventilation and becomes a rain shelter in the rainy days of Milan.” “Iran’s pavilion should be an alluring depiction of its long-time civilization, art, historical characteristics and cultural events with having close connection with agronomics, food and technology.”

Persian_garden_by_night

Architects: Lida Almassian, Shahin Heidari
Design Associates: Zahra Hamedani, Helaleh Alaei, Mohammad Keshavarzi, Fatemeh Dehghani, Soheila Zahedi,Golnaz Baharami, Mona Ramzi, Maryam Shokouhi, Sara Milani Nia
Year: 2015
Photographs: Courtesy of the New Wave Architecture (by Memari Mojeno to Media-Via)

MV

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New Wave Architecture

ArchDaily

Karlheinz Stockhausen (1928-2007), a controversial German composer,  “one of the great visionaries of 20th-century music”, was born on 22 August befHelicopter String Quartetore 85 years. He is known for his ground-breaking work in electronic music, aleatory (controlled chance) in serial composition, and musical spatialization. Stockhausen, along with John Cage, is one of the few avant-garde composers to have succeeded in penetrating the popular consciousness.

He was educated at the Hochschule für Musik Köln and the University of Cologne, and later studied with Olivier Messiaen in Paris, and with Werner Meyer-Eppler at the University of Bonn.

Some of his notable compositions include the series of nineteen Klavierstücke (Piano Pieces), Kontra-Punkte for ten instruments, the electronic/musique-concrète Gesang der Jünglinge, Gruppen for three orchestras, the percussion solo Zyklus, Kontakte, the cantata Momente, the live-electronic Mikrophonie I, Hymnen, Stimmung for six vocalists, Aus den sieben Tagen, Mantra for two pianos and electronics, Tierkreis, Inori for soloists and orchestra, and the gigantic opera cycle Licht.

Stockhausen was influential within pop and rock music as well (Frank_Zappa, Roger Waters of Pink Floyd, Jefferson Airplane, Grateful Dead, Kraftwerk, Björk etc.).

In May 2013 staging of Stockhausen’s Helicopter String Quartet skored key prize.

Watch a recording of the rarely seen Helicopter String Quartet, performed by the Elysian String Quartet, part of Karlheinz Stockhausen’s Mittwoch aus Licht, from the Birmingham Opera Company.

http://www.theguardian.com

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Source:

http://en.wikipedia.org

http://www.stockhausen.org/

subversive_film_festivalWhat is actually un-democratic in systems that call themselves democracies, and how does one build a true democracy? Is democracy an unattainable or an achievable utopia? Is this utopian inspiration a prerequisite for any emancipatory struggle? Following these questions, as well as taking into account current social and political developments, the 6th Subversive Festival, under the general theme The Utopia of Democracy, will take place from May 4-18 in Croatia’s capital Zagreb. Some of this year’s speakers include Slavoj Žižek, Silvia Federici, Chantal Mouffe, Bernard Stiegler, Susan George, Maurizio Lazzarato, Yanis Varoufakis, Franco Berardi Bifo, Tariq Ali, Erik O. Wright, and Costas Douzinas.

The programme of the 6th Subversive festival features more than 300 participating activists, authors, writers, intellectuals, civil society actors, film directors and artists from the region and the entire world and is organized into several separate programs:

Subversive Film Festival (May 4-12) boasts more than 50 thought-provoking films. Festival’s special guest Sophie Fiennes’s documentary The Pervert’s Guide to Ideology. Another special guest of the Festival is triple Oscar-winning director Oliver Stone who will present his documentary series The Untold History of the United States, participate in a round table with Tariq Ali as well as in a “late night conversation” with the audience.

Subversive Forum (May 7-18), a series of events on the most pressing political issues of today, includes the following conferences: Peace Forum (May 7); Austerity, Green/d Economy and the Struggle for Democracy (May 8);  Nationalism, Neoliberalism and the Left Perspectives (May 9); Commoning the Future (May 15);The Enlargement of Post-Democratic Europe (May 16);The European Left and the Global Crisis of Capitalism  (May 17).

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subversivefestival.com

MBZ_CulturenetThe Music Biennale Zagreb is an international festival of contemporary music which is set to take place from  6 to 13 April in Zagreb. Completely dedicated to the new music – including the “living Classics” of contemporary music and the new generation of composers from all over the world, Music Biennale programmes include projects from symphony orchestras and chamber ensembles, experimental musical theatre, contemporary dance, jazz, electronics to alternative music scene.

Remembering the MBZ famous guests like John Cage who was picking the mushrooms in front of the concert hall “Vatroslav Lisinski”, we also honour the great MBZ directors with vision: Nikša Gligo and Berislav Šipuš.

Croatian Ministry of Culture invites and informs: “During the festival’s days, in April every other year Zagreb is transformed into the cultural centre to which composers, music critics, the best musicians, and contemporary music and arts lovers from the region and Europe gravitate. The festival has a strong response as well as an incentive in its own environment. It would not be wrong to say that the time in combination with the geographical and political framework of the period when the Music Biennale was founded in 1961, have contributed considerably to Biennale’s success since the very beginning, which continued to shape the festival until today. “Still MBZ was always focused on the institution of composer’s persona. Messiaen, Stockhausen, Stravinsky, Cage, Berio, Penderecki, Lutoslawski, Maderna, Kagel, Globokar, Nono, Xenakis,Lucier, Schnebel, Reich, Murail, Maxwell Davis, Birtwistle, Schaffer, Nyman, Cerha, are only some that were MBZ’s guests.”

Closely interrelated with other arts, the Music Biennale Zagreb fills a considerable and a very distinctive position on the Croatian and regional cultural scene. Such a favourable situation is partly due to the choice of performers, most of whom are superb music professionals. Two ideas are kept in the forefront of the Music Biennale: tolerance and a high standard of musical production, creativity and reproduction.” (Programme)

MV

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Culturenet.hr

mbz.hr

MSU_Molochevski (courtesy of Branko Franceschi)The Croatian Museum of Contemporary Art  in collaboration with prof. Branko Franceschi and curator Kóan Jeff Baysa M.D. prepared the exhibition “Sound (In)Formation”. The exciting current explorations into expanded technologies are evident in this select quartet of works in Sound [In]Formation that engages the audience with exquisite presentations of immersive, contemplative experiences. The Artistic Quartet exhibits media works of Igor Molochevski, Mark Bolotin, Jiayi and Shih-Wen Young and Blake Shaw, from 5th to 13th April 2013.

The selected artists in this exhibition abandon expected trajectories and reinforce the legitimacy of sound as a creative medium. Contributing to the emerging technoculture of interactive, cross-platformed, and immersive installations and performances, they evince the shifting of foci from objects themselves, instead, to the very processes of their per-ception. The aural colludes with the visual to create new, abstracted, emotional, and imagined spaces. Cognitive neuroscience investigates how the physical properties of the world are organised in the brain to yield conscious perception.

“Igor Molochevski is a New Media artist, documentary filmmaker, and photographer. His work is based on mixed media and technology reintegration. His workflow includes live coding, interactive and generative programming, kinetic sculptures, sound design and digital imaging. His work is defined by de-structuralization of visual and conceptual para-digm. Inside the Belly of the Invisible Beast is a generative audiovisual installation with tensions between a Buddhist singing bowl activated by an audience member and a dy-namic self-generating digital painting.”

MV

Source:

culturenet.hr

msu.hr

As Culturenet informs “BADco., Multimedia Institute/MAMA and the Academy of Drama Arts, University of Zagreb are organizing international symposium “Broken Performances: Time and (In)Completion” which is set to take place from 21 to 24 March in Zagreb, Croatia. Broken Performances: Time and (In)Completion” is a proposal to examine relations between the present-day modalities of time and the production of forms of life. The symposium will bring together a number of prominent international scholars and artists to share their thoughts on how to critically address the ways time conditions labor, affect and values, and how this then gets reflected in performance and media.

The rise of new precarious forms of work and flexible organization of working time, as well as changes in the content and the nature of work, lead to a corresponding search for balance among the various forms of social time. “Time-scarcity” therefore becomes a relevant topic not only from a social or biological perspective, but also as a dramaturgical and performative problem.” BadCo concludes that “in this sense, different choreographic practices should not be understood only as aesthetic practices, but also as wider social processes of distributing bodies in time and space.”

MV

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culturenet.hr

badco.hr

The NewYork Times reports the American famous and humorous conceptual video-artist William Wegman has his show “William Wegman: Hello Nature,” through Oct. 21 at the Bowdoin College Museum of Art in Brunswick, Me. The exhibition aims to shine light on a less obvious aspect of Mr. Wegman’s oeuvre.

“It was while he was in Long Beach that Wegman got his dog, Man Ray, with whom he began a long and fruitful collaboration. Man Ray, known in the art world and beyond for his endearing deadpan presence, became a central figure in Wegman’s photographs and videotapes.

William Wegman was born in 1943 in Holyoke, Massachusetts. He received a B.F.A. in painting from the Massachusetts College of Art, Boston in 1965 and an M.F.A. in painting from the University of Illinois, Champagne-Urbana in 1967. From 1968 to 1970 he taught at the University of Wisconsin. In the fall of 1970 he moved to Southern California where he taught for one year at California State College, Long Beach. By the early 70s, Wegman’s work was being exhibited in museums and galleries internationally. In addition to solo shows with Sonnabend Gallery in Paris and New York, Situation Gallery in London and Konrad Fisher Gallery in Dusseldorf , his work was included in such seminal exhibitions as “When Attitudes Become Form,” and “Documenta V” and regularly featured in Interfunktionen, Artforum and Avalanche.”

MV

Source:

nytimes

http://www.wegmanworld.com

A promotion of monography “Integrative Theory of Ken Wilber” written by anthropologist Vanja Borš will be held on The Faculty for Humanities and Social Sciences in Zagreb, Croatia on 11th January, by book reviewers Ph.D. Lino Veljak and Ph.D. Vjekoslav Afrić critics. Ken Wilber is famous for his transpersonal approach to life through scientific use of holon/holistic mythology, religion and art archetypes. Croatian Integral Society stresses correctly: “Using an integral approach we are attempting to integrate, balance, that is, coordinate the highest-quality work of everything from science, philosophy, art, ethics, spirituality, etc. of all traditions and time periods.” 

“With such an all-inclusive and contextually-adaptive approach which embraces all levels (waves, nests etc.) of reality (physiosphere, biosphere, noosphere and theosphere) through self, culture and nature by using intentional, behavioral, cultural and social aspects of being, but not leaving out or giving preference to any one of those, we are reaching for the goal of actualizing the primary perennial idea embedded in all traditions of authentic teachings that is unity-in-diversity and diversity-in-unity. The main purpose, therefore, is not the creation of uniformity, but in identifying commonalities while respecting the wealth of differences. The accent is placed on a meta-approach which aims to transcend, but also include, mere reductionism (atomism, elementarism etc.) and holism (systemic approach, organic approach etc.), that is, it promotes integral perspectivism.” (Croatian Integral Society)

MV

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culturenet.hr

According to Culturenet.hr  “provokative series of erotic photography entitled Foxy Mister by Croatian artist Tomislav Gotovac (RIP) will be presented at the exhibition Nude Man in the Leopold Museum, Vienna till 28 January, 2013 as well as within the exhibition The Naked Man at the Lentos KunstMuesum in Linz till 17 february, 2013.”

Leopold museum informs that “previous exhibitions on the theme of nudity have mostly been limited to female nudes. With the presentation “naked men” in the autumn of 2012 the Leopold Museum will be showing a long overdue exhibition on the diverse and changing depictions of naked men from 1800 to the present (…) At the same time, the exhibition will also feature important reference works from ancient Egypt, examples of Greek vase painting and works from the Renaissance.”

Tomislav Gotovac (1937–2010) was not only a charismatic and exuberant person with an uninhibited lifestyle, creator of films, performances, photographs and collages but also somebody who designed a whole complex world for himself (…) Film was Gotovac’s main medium of expression and point of reference. ( Image from exhibition: slobodnadalmacija.hr )

MV

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Culturenet.hr

Leopold Museum

New Year Greeting cardWe join to Croatian Culturenet in Glocal greetings: “Dear readers and visitors, we wish you happy and multicultural holidays filled with positive thoughts and good forces. It is a time to reflect on the past and envision a future with an aim of spreading mutual understanding and tolerance and may the next year bring us all more peace and prosperity.”

The new project of Media-via’s  Association „Culture, Media and Education“ – ARTHEA is a 3 year multiplatform awareness raising programme with a heavy emphasis on performance art in urban surroundings.

Slavonski Brod, square (Photo by Media-Via)Over a 3 year period performers from other countries will perform their  3 traditional dances at a very busy hour on a very public place, the main square of Slavonski Brod, Croatia. These performances  from China, India and Turkey will be a magnet to pull in by standers and will generate interest for the project. Besides these performances concert nights and round tables will be organised with intelectuals from various fields taking part to discuss the theme of multiculturality and tolerance between nations.

The project will immidiately pull in by-standers and will peak their curiosity which will lead them to ask questions about the performances and in turn will be informed about the project and it’s theme. By catching just a glimpse of another culture they can draw Fountain_Square_Slavonski Brod (Photo by Media-Via)their own conclusions as to the differences and similiarities they may share with other nations. It will promote open mindedness and a will to accept foreigners in to their society. With concert nights with perfomers from China, India and Turkey as well as conferences and round tables with intelectuals and experts from mentioned countries, citizens will have more than enough opportunity to satisfy their curiosity. Web logs, social networking and traditional forms media will ensure that the program will not go unnoticed. With the all the performers, intelectuals, experts and the general public involved in the project has huge potential to reach a massive audience.

The association „Culture, Media and Education“ – ARTHEA is a civil organisation which was founded in 2011 and in that short time realised several International artistic performances: „Multimedia Art: Urban Performance“ http://media-via.ning.com done under protection of UNESCO and regional project „Glocal Multimedia Art“ http://glocal-art.ning.com  (where Glocal means Global+Local) under financial protection of Croatian Ministry of Culture.

Concept leader: PhD. Vesna Srnic, president

Translation/summarizing: Professor Frankopan Mariano Klaric, Public Relations

MV

At the recently ended K3 International Short Film Festival in Villach, Austria experimental cinematographer Ivan Ladislav GGaleta presenting at the Museum of Contemporary Art in Zagreb (Photo by Media-Via)aleta from Croatia won the K3 Award for his latest film Deep End Art N°1.  The festival is organized in conjunction with Italy and Slovenia.

According to Culturenet.hr Ben Russell stated: “DEEP END ART No.1” by Ivan Ladislav Galeta is confident and entire, a living system unto itself. The title alone is a declaration of an idiosyncratic worldview, one whose conceptual borders extend far beyond the video frame. While it is clear that Galeta takes real pleasure in bird and bee, in sunlight and flare, and in time and decay, this is not enough. Lucky for us, “Deep End” turns this pleasure into the very material of video; aided by close-up and audio-amplification, “Deep End” is a fresh-picked apple for our eyes and ears (mostly held in our left hands).

Ivan Ladislav Galeta (Vinkovci, 1947) graduated in Visual Art at the Teachers’ Galeta: "Motion", 1974 (Photo by Media-via)Academy in Zagreb 1967, as well as in Pedagogy at the Faculty of Humanities and Social Sciences in Zagreb 1981. He headed the Multimedia Centre (MM) of the Students’ Centre in Zagreb (1987-1990) and founded and headed the Art Cinema Theatre of Filmoteka 16 (1991-1994).  Since 1993 he has been working as a media specialist at Zagreb’s Fine Arts Academy, where he has been appointed Full Professor in 2007. He initiated the introduction of Animation Studies (2000) and New Media Studies (2004), which grew into respective Academy Departments. He has been making films since 1969 and video-works since 1975. Since 1973 he has exhibited objects-installations, photographs-installations, video and TV works, texts, sound installations, ambience interventions, ecological projects, actions etc. His works have been included in important local and international collections of contemporary art and film archives like the Museum of Contemporary Art Zagreb, Croatian Film Clubs’ Association, International Short Film Days Oberhausen and Georges Pompidou Centre in Paris.

Prix Ars Electronica Collide@CERN was the new international competition for digital artists to win a residency at CERN the world’s largest particle physics laboratory in Geneva. According to ARTS@CERN “The second Prix Ars Electronica Collide @CERN3 was awarded to the 65-year-old American artist, Bill Fontana. With an international reputation for pioneering experiments in “sound art” that has featured in some of the world’s leading arts institutions, Fontana continues to push the boundaries of his artistic work”.

“It is fantastic that the Collide@CERN programme’s latest artist comes from a completely new field – sound art,” said Ariane Koek, CERN’s cultural specialist and the creator of the programme.” But the rest of the text doesn’t say a word about the reason of that specialist’s fascination, about the qualities of Fontana’s concept of the applied project, except the notion that the artist is  ready to learn?!

Bill Fontana (born USA 1947) is an American composer and artist who developed an international reputation for his pioneering experiments in sound. Since the early 70’s Fontana has used sound as a sculptural medium to interact with and transform our perceptions of visual and architectural spaces. (Interesting  audio/video at http://www.resoundings.org  )

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Media-via editor and “Culture, Media and Learning” association’s president Ph.D Vesna Srnic was also participating in competition Prix Ars Electronica Collide@CERN with a project: “UNIFYING THE HUMAN AND TECHNOLOGICAL MULTITASKING IN MULTIMEDIA ART”.

MV

The conference on audience development will be on 15-17 October by an exchange of good practices among past and future European Capitals of Culture, taking place at the same venue, and at which the Commission will also present its proposal for the future of the European Capitals of Culture beyond 2020.

In parallel, the Education, Audiovisual and Cultural Executive Agency is holding on 15 October a Kick-Off meeting specifically for 350 new beneficiaries of the Culture Programme.

The Culture Programme of the European Commission helps finance an array of initiatives to enhance the vitality of Europe’s cultural sector. It enables hundreds of organisations and thousands of artists and cultural professionals to meet, exchange practice, learn from each other, create together and tour and perform in different European countries. Through performances, websites and other tools the projects reach millions of individuals across the continent. Furthermore, every year the European Capitals of Culture put the spotlight on a couple of European cities, giving them a chance to shine on the European stage for 12 months and to regenerate themselves through culture.

The European Commission wants these activities to reach bigger and wider audiences. It is to this end that it is holding a conference on 16-17 October in Brussels which will provide inspirational examples of audience development by cultural organisations and foster European exchange of practice on audience development strategies.

The website of the conference is now available for registration at: http://www.cultureinmotion.eu/

MV

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culturenet.hr

A three day International symposium “Philosophy of Media” at the Croatian city Opatija successfuly finished. From 19th to 21st the participants discussed and elaborated this year topic “Art and Media”. At the opening a German professor at Rotterdam School of Management Frank Hartmann spoke on his experiences and a great number of regional participants contributed to the important subject of the symposium. The President of Association “Culture, Media and Education – ARTHEA” Ph.D Vesna Srnic introduced the new concept on Multitasking and the ARTHEA’s portal  Media-Via brings the summary of this scientific paper.

Multitasking in multimedia and multimedia art, especially in the form of integrative activities or performances, presents an artistic actualisation via simultaneous processing by intensifying the experience as a process of affective individualization. As opposed to computer multitasking where a larger number of activities weaken concentration, i.e. attention is dispersed and memory is weakened, the orchestrated affective experience in Multimedia Art is anchored in an existential support by artistic attention which results in an organic memory and authenticity. With this thesis we hope to disallow the findings of other scholars (such as Christine Rosen, Ph.D., in her work „The Myth of Multitasking“, Sead Alić, Ph.D., in ‘’McLuhan, Announcement of Media Philosophy’’ and others) who claim multitasking results in the loss of wisdom.

MV

 

The Croatian/British video artist Breda Beban (1952-2012), my dear friend, two years before her death in London has made unrelatedly the video art work “My Funeral Song” inspired by subtle but deep affection of love and loss.

The Real Life was incorporated in her existential video art works, which could be now seen at Film Festival “I Mille occhi” in Trieste (Italy) and as The Adventure of the Real in Studio Tommaseo on Saturday, 15th September, curated by Dubravka Cherubini and Branko Franceschi.

Projection of films and videos: Jason’s Dream (1997), Let’s Call It Love (2000), I Can’t Make You Love Me (2003), Walk Of Three Chairs (2003), How To Change Your Life In A Day (2004)

Beban was a recipient of the Paul Hamlyn Award for Visual Arts, UK, 2001. Her film Jason’s Dream received the Silver Award for Music Film & Video, Worldfest, Houston International Film Festival, USA, 1998.

Beban lived and worked in London and Sheffield where she was a Professor of Visual Arts and a Reader in Media at the Sheffield Hallam University. (lecturing at university http://vimeo.com/3437562 )

MV

Doctoral dissertation “Electronic Media and Aesthetics in Postfeminist theory”  written by Ph.D. Vesna Srnic deals with contemporary themes and dynamic artistic use, aesthetic valuation and phenomenological impact of extended electronic media on human life in the period of postfeminism.

Thesis of dissertation is the result of analytical study of artistic mass electronic media (photography, film, TV, video, computers, Internet and multimedia): modern electronic media are not the subject to more classical aesthetic criteria, but to the concept of “value” and consequently how successfully the sexually undifferentiated affective grounds existence is brought into these new media. This, according to us, is a quite new aesthetic, while following the aspect of affective encouragement of individualization and strengthening the integrity by the electronic media, where the  special importance is seen in experimental film, video art and multimedia performances orchestrated in the period of the “third wave of feminism” or Postfeminism.

Researches have been based on the phenomenology and philosophy of existentialism, which we considered suitable for integral insights into the individual without gender differentiation, what we see contemporary Postfeminist theory.

MV

Source:

Ph.D. Vesna Srnic, doctoral dissertation “Electronic Media and Aesthetics in Postfeminist theory” (defended at the Faculty of Humanities and Sciences, University of Zagreb, Croatia, in September, 2011)

More details can be found at shopmybook.com and if You are interested in online shopping you can do so at this page. The first edition is published in Croatian language.

The conference will include number of renown speakers from fields of cultural economic and cultural policy studies (e.g. Bruce A. Seaman, Bruno S. Frey, Michael J. Rushton, Francois Matarasso, Vesna Čopič and others).  The conference will take place at the University of Maribor, Maribor, Slovenia from 21.-23. September 2012.

Daedline for sending abstracts is 16th August 2012. Read more details and complete schedule here

“With the conference »Culture – development potentials?« we are aiming toward several main goals. Firstly, we wish to bring to Slovenia during what is perhaps the most important cultural event in Slovenia so far, number of leading experts from the fields of cultural economics, cultural policy, cultural management and other social and human sciences which have culture as their main research objective. We managed to do this previously, in 2010, when several of world leading experts from the field of cultural economics have lectured at the symposium »Economics of the Visual Arts« and we wish to continue where we have begun at that moment.”

MV

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Culturenet

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