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Civil organization “Culture, Media and Education” – ARTHEA performing event “Hologram and the Real: Forest Television” was realized on 25 May, 2019 at the main town square of the Croatian city Slavonski Brod with the alluring enthusiasm of all of us: the Zagreb dancers of contemporary dance Nastasja Štefanić and Tamara Curić, musician from Opatija Vedran Ružić on double bass, Tomislav Brezicevic from Zagreb on hang drum, and 98 students of “Faculty of Education” in Osijek, department in Slavonski Brod who have created multimedia works for the “Media Culture” course. The author of the project Ph.D.Vesna Srnić, Arthea president is a lecturer as well, while the vice dean  Ph.D. Emine Berbić-Kolar gave us a great overall support. Technical supervision for the hologram was done by Connect IT, thanks to Avishai Cohen his song“Remembering” was a background music, and sponsors were the “Ministry of Culture of the Republic of Croatia”, the “City of Slavonski Brod” and the “Connect IT Association”.

The project “Hologram and the Real: Forest Television” is questioning the Social Intelligence through the interrelationship of virtual and real.

The project also includes several scientists: Professor Ph.D. Lino Veljak, Head of the Department of Ontology, Faculty of Philosophy, University of Zagreb, Professor Dr Divna Vuksanović, Faculty of Drama Arts in Belgrade, President of the Association of Citizens’ Young Pea, Docent Ph.D. Suzana Marjanić, Institute of Ethnology and Folklore Research in Zagreb, PhD. Vesna Srnić, Research Fellow at the Faculty of Education in Osijek, department in Slav. Brod, Dr Kruno Martinac, Intercultural Communication, Melbourne, Australia and MA. Jugoslav Gojković, specialist of the psychiatric hospital ‘Josip Benčević’ in Slavonski Brod.

Credits :
Title : ‘ Remembering ‘
Music composed and performed by Avishai Cohen. Gad Music / Sony ATV
From the album: ‘ At Home’ 2005 – Avishai Cohen Trio and Ensemble – Razdaz Recordz LLC

by kind permission : Avishai Cohen, Razdaz Recordz LLC

PUBLICATION_ARTHEA_2019

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Baroque in Glocal Postmodern Approach is a project and a Learning Scenario made for “The European Schoolnet Academy” in Brussels, Belgium, specifically for the Europeana in your classroom: building 21st-century competences with digital cultural heritage course, through 5 Modules of MOOC (Massive Open Online Course).

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

PhD. Vesna Srnic, Research fellow/Media-Via editor/NGO ARTHEA’s president

 

On Sunday evening (13th January, 2019) the moderator Srecko Horvat introduced at the Philosophical theater of the HNK (Croatian National Theater) in Zagreb, a famous Slovenian philosopher Dr Alenka Zupancic. Dr. Zupancic is close associate of worldly known Dr Slavoj Zizek and a writer of interesting book – What is Sex? published by the MIT Press.

One of the main ideas of the book What is Sex? is that sexuality is a short circuit between ontology and epistemology (being and knowledge).

Other important ideas:

  • “(..) but in a stronger sense of the gap in knowledge coinciding with the gap in being. We do not know, because there is nothing to know. Yet this “nothing” is inherent to being, and constitutes its irreducible crack; it registers as a peculiar (“negative”) epistemological score, it registers as a peculiar form of knowledge: the unconscious.” (p. 143)

  • „Whenever it comes to social, cultural, or religious covering up of sexuality, we can be sure that it never covers up simply what is there (for example, the sexual organs), but also (and perhaps primarily) something which is not there; it also covers up some fundamental ambiguity which is, from the outset, of a metaphysical order. In other words: the more we try to think the sexual as sexual (that is, the more we try to think it only for “what it is,” without censorship and embellishments), the quicker we find ourselves in the element of pure and profound metaphysics. This is why there is no “neutral” way to speak about sex—even if we pretend not to hide anything, and speak only of facts, something else seems to get added, or to disappear.“ … (p. 141)

 

  • To paraphrase, Lacan thinks that in a „Gap“ of actuality, between conscious and unconscious, reality is triggered to become politics … Badiou says that in the situational “Gap” cracking Event should happen or perhaps revolution, so discourse begins to evaluate and becomes Real being as a “wandering surplus” or “surplus jouissance”. Lacan disagrees – it is not a real being but a “symptom”…

 

  • “Materialism would thus mean, in this account: the reality minus the illusion which accompanies it and keeps transforming it into something quite different.” (p. 120)
  • “The (Lacanian) subject is not simply the one who thinks, it is also and above all what makes certain contradictions accessible to thought; it is the way in which these contradictions appear as a “matter of thought.” (p. 122)
  • “To think a paradox or contradiction does not mean to stare at it with fascination, as in a kind of mystical revelation of the Absolute; it means precisely what it says—to think it.” (p. 123)
  • So perhaps this would be a good formulation of materialism: materialism is thinking which advances as thinking of contradictions.

 

Due to the timing problems, the president of the NGO Arthea association dr. Srnic did not ask this question, but she kindly puts it now:

You discussed about „animal“ and „human“ in your book … But can you explain or define the position of sexuality between a man/woman and a Hologram? Recently, a marriage between a young man and a Hologram occurred in Japan … So, what about the enjoyment or jouissance here?

You mentioned dreaming and „piloting the Animal“, but can we pilot the Hologram which is the most of virtual reality we can produce so far?! Is this relation „Real“ or just a „Dream“?! You said: “(…) every drive is virtually a death drive”, so is this correlation between Real and Virtual actually a correlation between Life and Death or a sort of anthropological „Television of the Forest“ (Narby)…

PHD. ALENKA ZUPANCIC ANSWERED TO THE MEDIA-VIA.NET PORTAL:

Thank you very much for your questions. They are related, they both involve the hologram as the other in a relationship. So I will take them together. The issue is big, and involves many different facets which I cannot possible deal with here, so let me just propose a few thoughts.

There is something about this story of “man marries a hologram” that is very old. We can take an example that is exactly 100 years old: Ernest’s Lubitsch’s film Die Puppe (The Doll) tells a story of a man who has to marry because otherwise he would lose his inheritance, but doesn’t want all the relationship-things that marriage implies. So he orders a mechanical doll which is a perfect replica of the doll-maker’s daughter. Things get complicated because the doll breaks down and the real daughter steps in pretending to be a doll… But anyway, the basic idea is something like this: by replacing a real partner with an artificial one we can get a perfect partner, attending to all our needs, but without the fuss that comes with a real relationship. The idea is not new, but became particularly present with rapid technological development and new possibilities it seems to offer. But according to Lacan this is precisely how most of the ordinary relationships function, particularly so far as men are concerned, and on an even more fundamental level. It’s not simply the question of eliminating the fuss, but more fundamentally the question of relating: do we really relate to the other as other when we are in a relationship, or is the other rather the screen or object via which we relate to ourselves, and that we need to be able to enjoy? Or, to use even more vivid language proposed by Slavoj Žižek: if masturbation is defined as “having sex with an imaginary partner”, then perhaps sexual intercourse could be defined in many cases as “masturbating with a real partner”. Or, as Woody Allen put it in anther turn of this same screw: “Masturbating is having sex with somebody you really love”. In other words, perhaps we don’t realize to what extent we already are functioning in relationships as holograms of our partners. Imperfect ones, and here technology can indeed step in and eliminate us altogether. Of course things change when this actually happens, and we can effectively, empirically eliminate the other as Other. But still, the structure at the bottom of this particular example is an old and absolutely pre-technological story of human sexuality and relationships. Then there is also the question – which many SF stories play with – of what happens if this technological gadgets actually do become our Other, in an most emphatic sense: if they gain autonomy (from our mastery), if they impose a rule of their own, if they enslave us to whatever “new order” they represent…

 

 

PhD. Vesna Srnic, Research Fellow (text, photographs, video)

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Exhibition on the occasion of the 150th anniversary of the HDLU (Croatian Association of Artists) and 80 years since the construction of the Home of HDLU (October 26, 2018 – December 2, 2018)

“(…)The presented works of art sublimate the time and context of their origin, so they anchored themselves in the collective or at least the subjective curator’s memory as the ideal image of the period of their emergence. These works have proved as an intriguing and inspiring reflection or a comment about the reference social reality, i.e., through their form or content they represented a deviation in relation to the promoted aesthetic and social values, and through superior examples constituted a foretoken of times yet to come.

Their existence testifies about the pioneering role of artists in creating an image of their own time and articulating guidelines for the future. Starting with putting up “The History of Croats“ by Ivan Meštrović (1932) at the pavilion centre, i.e. the present Bačva Gallery, in remembrance of the first exhibition of the members of the Association at the Home of the Croatian Association of Artists, along with an inherent symbolism of exhibiting the sculpture, the other selected works follow the circular architecture of the space and ultimately fill it out in a kind of a visual paraphrase of a musical score.” 

Branko Franceschi, curator of the exhibition

 

 

 

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Sources: HDLU

Pictures by Jasenko Rasol (Courtesy of the curator Branko Franceschi)

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The Art Pavilion in Zagreb presents Croatian painter Vlaho Bukovac who was its founder 120 years ago, in a context in which his work has never before been exhibited. In this show, along with Bukovac’s works, those of his Parisian professor, Alexandre Cabanel, are also shown. Bukovac knew the spirit of academism and, on the other hand, he felt the spirit of Impressionistic freedom. Having accepted modern principles, Bukovac painted casual pictures, using liberated strokes of the brush, in the pointillist technique.

The exhibition can be seen till January 6, 2019.

Bukovac began his career in France. He painted in a “poetic” realistic style, his fashionable paintings achieved great success at the Paris Salon. During his sojourn in France, he traveled to England and the Dalmatian coast, where he was born. His travels also included voyages to the Black Sea, South (Chile and Peru), and North America.

Vlaho’s painting “Une fleur” was sold at Bonhams in London on 14 June 2006 for £100,800.00, including the auction premium. The auction house identified the painting as Reclining Nude.

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Sources:

http://www.umjetnicki-paviljon.hr/en/portfolios/vlaho-bukovac-and-alexandre-cabanel-a-historic-encounter-of-pupil-and-teacher/

https://en.wikipedia.org/wiki/Vlaho_Bukovac

PhD. Vesna Srnic has just published an original paper on Memory in co-authorship with Vice-Dean of Faculty of Teacher Education in Osijek, department in Slavonski Brod PhD. Emina Berbić-Kolar and student Igor Ilić, in the American journal “Communication, Society and Media” (ISSN 2576-5388 (Print) ISSN 2576-5396 (Online), Vol. 1, No. 2, 2018 http://www.scholink.org/ojs/index.php/csm )

Abstract

In addition to the well-known classification of long-term and short-term memory, we are also interested in distinguishing episodic, semantic and procedural memory in the areas of linguistic narrative and multimedial semantic deconstruction in postmodernism. We compare the liveliness of memorization in literary tradition and literature art with postmodernist divisions and reverberations of traditional memorizations through human multitasking and performative multimedia art, as well as formulate the existence of creative, intuitive and superhuman paradigms.

Since the memory can be physical, psychological or spiritual, according to neurobiologist Dr. J. Bauer (Das Gedächtnis des Körpers, 2004), the greatest importance for memorizing has the social role of collaboration, and consequently the personal transformation and remodelling of genomic architecture, yet the media theorist Mark Hansen thinks technology brings different solutions of framing function (Hansen, 2000). We believe that postmodern deconstruction does not necessarily damage memory, especially in the field of human multitasking that utilizes multimedia performative art by means of anthropologization of technology, thereby enhancing artistic and affective pre&post-linguistic experience while unifying technology and humans through intuitive empathy in society.

Full text in Pdf:
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Vedran Ruzic jazz quartet played multimedially joined with a huge screened film „Spiritual Market“ on 28th June, 2018 in The Ivana Brlic Mazuranic Concert Hall in Slavonski Brod, Croatia. „Spiritual Market“ combines the original jazz album of Vedran Ružić – inspired by the journeys of Marco Polo with the music accompanying art film, made by John Kardum and Ira Tomić.

Highly coordinated quartet sounded not only as a perfect western jazz, but also as a singular and highly spirited shaman in his endevaor! The sound was extremely and crystally penetrating thanks to the new, expensive equipment of the concert hall. Especially the Vedran’s dubble bass was impressive. The film pretended to be abstract but was illustrating facts occasionally. “Spiritual Market” was awarded with Porin for The Best Jazz Album in 2016.

 

Spiritual Market teaser

 

The jazz album was created in combination with overtones from Istria and the Far East, it follows Polo’s journey from Venice to China. The album unites 5 original pieces of Ružić, a late medieval motet and a traditional Mongolian piece with new arrangements. With Ružić on the double bass, the quartet is completed with his colleagues from the conservatorium in Klagenfurt – Adriano Bernobić on the drums, Pavle Miljenović on the guitar and Mario Biočić joining them with the saxophone on three pieces on the album. In addition to the music and paintings, Ira Tomić and John Kardum joined with photography and an art movie – as a result, the project “Spiritual Market” evolved, inspired by the journeys of Marco Polo to the Far East.

Vedran Ružić is an academic painter (on his last year at the academy of fine arts in Rijeka/Croatia) and a professional double bass jazz-musician. In 2017 he won the Croatia’s highest prize in music for the best jazz album of the year (Spiritual Market). He has his own atelier in Volosko/Opatija, where he works on his paintings and music. http://vedranruzic.com/en/

Vedran Ruzic Trio – Night speaking (Official video)

https://www.youtube.com/watch?v=lFs6kPoh7Xs 

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Teaser and a Media-Via short video with courtesy of the artist.

In the latest program of the “Philosophical Theater” in the Croatian National Theater HNK on 17 June, 2018, Srecko Horvat presented the famous German artist and scientist PhD. Hito Steyerl. The New York Times  claimed “Hito Steyerl Is an Artist With Power. She Uses It for Change.”(Postmodernism as fragmentation is full of banality and conversation about it, taken out of context, can be perceived as such, so it was not allowed to record video during the talk!)

Hito Steyerl (born 1966 in Munich) is a German filmmaker, visual artist, writer, and innovator of the essay documentary. Her principal topics of interest are media, technology, and the global circulation of images. Steyerl holds a PhD in Philosophy from the Academy of Fine Arts Vienna. She is currently a professor of New Media Art at the Berlin University of the Arts, where she co-founded the Research Center for Proxy Politics, together with Vera Tollmann and Boaz Levin (https://en.wikipedia.org/wiki/Hito_Steyerl  )

Steyerl’s famous for her essays and one of it is: “In Defense of the Poor Image” (https://www.e-flux.com/journal/10/61362/in-defense-of-the-poor-image  )

She prefers low resolution images, almost abstract… These days: Images are looking people! (We can see the connection to W.J.T. Mitchell’s notion from the book „What do pictures want?“ and the theory of J. Baudrillard.)

„The poor image is no longer about the real thing—the originary original. Instead, it is about its own real conditions of existence: about swarm circulation, digital dispersion, fractured and flexible temporalities. It is about defiance and appropriation just as it is about conformism and exploitation.

In short: it is about reality.“ 

In her new essay she discusses „Art of arts“ – a dystopian idea. It seems as an extension of her book „Duty Free Art“ (Art in the Age of Planetary Civil War) where she points to new storages of art as new substitutes for museums. (https://www.e-flux.com/journal/63/60894/duty-free-art  )

She writes: „Huge art storage spaces are being created worldwide in what could essentially be called a luxury no man’s land, tax havens where artworks are shuffled around from one storage room to another once they get traded. This is also one of the prime spaces for contemporary art: an offshore or extraterritorial museum. (…) Freeport art storage facilities are secret museums. (…)The idea of duty-free art has one major advantage over the nation-state cultural model: duty-free art ought to have no duty—no duty to perform, to represent, to teach, to embody value.”

While discussing the technology and some predicting programs in sports, Steyerl as a media and technology artist claimed Artificial Intelligence has a shadow! She named it – Artificial Stupidity! But she uses technology – in terms of innovative and eduactional tools.

The question from the audience: as well as Karl Marx, Steyerl gives an overview and why not solutions?! She answered: we are not „omnipotent“ individuals but collectively creative through education and collective play (University has to be close to the Universe!).

The pleasant atmosphere of this philosophical talk has been completed as humorously as Srećko’s “Pink Freud” on his t-shirt!

 

 

 

 

 

 

 

 

 

 

 

 

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Within the 29th Music Summer in Slavonski Brod, Ensemble for early music -“Minstrel” performed several Renaissance and Baroque compositions by Giovanni Girolamo Kapsperger, Salamone Rossi and Bartolomeo Tromboncino at the Franciscan Monastery of St. Trinity.

 

Some of older city music lovers remember an amateur group of enthusiasts for the early music, founded by Dr. Kruno Martinac in 1970’s, while the editor of this portal and author of the text PhD. Vesna Srnic has played for several years block flutes (soprano, alt, tenor) in a junior ensemble of renowned Igor Pomikalo called Universitas Studiorum Zagrabiensis, performing at the famous Zagreb Lapidarium in the upper town.

The Zagreb Ensemble “Minstrel” performs sacral and secular compositions of the Middle Ages, Renaissance and Baroque, and acts as an educator in the field of Early Music. The ensemble musicians are: Goran Grčić – tenor, Nenad Kosak – tenor, Ante Beno – block flute, viola da gamba, zink, Lada Magdalenić Morpurgo – vielle, baroque violin, Sandra Munić – harp, viola da gamba, Lea Sušanj Lujo – viola da gamba, baroque cello and Darko Karajić – theorbo, lute.
Artistic conductor of the ensemble is Ante Beno.

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Stephan Lupino is a Croatian photographer, master of erotic photography and a versatile artist of a peculiar style with a successful foreign career and one of the most famous photographers in the world. The magazine”Paper” included Lupino on a list of ten people who marked the New York night scene in the eighties and nineties.

Lupino’s photos have been released by leading fashion and art world magazines such as Vogue, Zoom, King, Max, Photo, Playboy, Europeo and many others, and in front of his camera, he has attracted thousands of thriving beauties and many famous musicians. His sculptures are exhibited all over the world and are among the top works of world modern art. In addition to photography and sculpture, he is also engaged in painting, directing commercial and music videos, and art films. He has released several books of his photographs.
The magazine”Paper” included Lupino on a list of ten people who marked the New York night scene in the eighties and nineties.

 

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Sources:

MV (iphone photos with Gallery permission)

https://www.biografija.com/stephan-lupino/

https://stephanlupino.com/

This year’s performance project is an elaborated continuation of last years multicultural themes called Glocal Multimedia Culture: “The World Image and Performativeness of Glocal Consciousness”, with an emphasis on educational and scientific / artistic urban affect, mitigation of xenophobia as foreign / different from traditional, via interdisciplinary and integrated education of students and citizens through innovative art practice.
More at: http://glocal-art.ning.com and SBTV News (in Croatian). 

https://www.facebook.com/groups/glocalart

http://www.culturenet.hr/default.aspx?id=82321

The project, titled Situationally Performative Smartphone Orchestra, examines the relationship “Humans vs. Tehne “, and continues on lectures and seminars of the course Media Culture lectured by the author Dr. sc. Vesne Srnic (an example of a small sample of 50 students in the lecture hall is available on https://media-via.net/…/post-modern-dystopic-deconstruction …).

On Saturday, 5 May 2018, exactly at 12 o’clock on the main city square “Ivana Brlić Mažuranić” in Slavonski Brod we orchestrated a set of 200+ smartphones in phenomenologically designed, situationally astonished (humming) sounds and  (white) noises. Eighty students of the “Faculty of Teacher Education in Osijek”, a department in Slavonski Brod, 2 teachers and the video group of the elementary school “Ivan Goran Kovačić”, as well as the present 200 people on the square – turned on the sounds and alarms of their  smartphones! The students/performers presented the meditative, asymmetrical and atonal shift of the usual harmonic sounds in the postmodern spirit, and the students/moderators gave the viewers the performative tasks of activating the alarm or their favourite ringtone of the smartphone at the exact time (12.15 minute). Multimedial photographs and video footages were recorded by 60 students as an intense event for their final work in the above-mentioned Media Culture course, and elementary school students added lower and upper shots recorded with mBot robots and drones. We invited  national televisions, the local SBTV, as well as numerous Internet portals and radio stations. The length of the performance was 20 minutes, after which the affectivelly refined usual perception returned to the main square.

 

 

 

 

 

 

Project sponsors are the Ministry of Culture of the Republic of Croatia, the City of Slavonski Brod, the Tourist Board of the City of Slavonski Brod, and this year’s collaborator in celebrating the European Week was the Europe House Slavonski Brod.

 

PUBLICATION 2018 PUBLIKACIJA_ARTHEA_2018

The portal Media-Via editor and NGO Culture, Media and Education president Ph.D Vesna Srnic has just published the scientific paper Glocal Multimedia Art as an Unbreakable Narrative at the American Journal of Arts&Humanities. https://www.theartsjournal.org/index.php/site/index 

Vol 7, No 4 (2018)
Text in PDF: SRNIC_JAH 

 

CONDUCTED PERFORMANCE (Vođeni performance) at “Contemporary Media in Literature Lectures”

Faculty of Teacher Education in Osijek, Department in Slavonski Brod

2nd year students

Associate Professor PhD. Emina Berbić-Kolar

Mentor and concept leader: PhD. Vesna Srnic, Research Fellow

 

Artistic individuation as a performative ‘gender indeterminacy’

Creating this year’s state of mind on the Croatian City Square, promoting human rights to diversity, our civic organization “Culture, Media and Education” – ARTHEA presented a new dance performance: two students of contemporary dance from the Academy of Drama Arts in Zagreb – Simun Stankov and Mate Jonjic, as well as a student from the Faculty of Educational Sciences in Osijek,  department in Slavonski Brod Igor Ilic, in long skirts and choreography of Zagreb dancer and musician Nastasja Stefanic performed an improvisation on jazz music by the American artist John Zorn, gaining an inspiration from the world famous Israeli Dance group Kibbutz Contemporary Dance Company, with whom the author of the project PhD. Vesna Srnic has arranged co-operation. (culturenet.hr ; http://glocal-art.ning.com/https://www.facebook.com/groups/glocalart ; )  Brochure in Croatian language –PUBLIKACIJA_2017 

Part of the art performance is also a multimedia platform realized by the students of the Academy of Arts in Osijek, under the mentorship of prof.art. Vladimir Frelih, as well as a student of the Faculty of Educational Sciences in Osijek, department in Slavonski Brod Valentina Jackiv and Rian Skrinjaric, the student of Primary School “Ivan Goran Kovacic”, educated by the teacher Tomislav Lacic.

As the author of the project stated in her thesis of doctoral dissertation that the artistic individuation is the way of solving the gender problematic and that only with the aesthetic changes of reality we re-create and acquire a new personality without gender discrimination or categorization, neither androgynous nor transgender. Of course, we do not eliminate the potentials of individuals and communities that explore all the transitional boundaries of their gender.

Short video of the performance:

The particular importance of the project is seen in the global decentralization of culture and the penetration of a progressive performative approach to urban space in which the overwhelming conservatism of culture and rigid xenophobia prevail, ie the frustration by the contemporary art practices as a different worldview of abstract imagination and, above all, the presence of strangers. We incorporate this civic educational project in primary, secondary and tertiary curricula.

Scientific reviews on artistic performances will be written by: Professor PhD. Lino Veljak (Head of the Department of Ontology, Faculty of Philosophy in Zagreb), Mediologist Professor dr Divna Vuksanovic (Faculty of Dramatic Arts, Belgrade, President of the Association of Citizens for Art, Culture, Media and Social Issues “Young Peas”), dr Jugoslav Gojkovic (Department of Psychiatry, Slavonski Brod), and the media aesthetician PhD. Vesna Srnic, associate professor at the Faculty of Educational Sciences in Osijek, a department in Slavonski Brod.

Video of the whole performance:

This year civic organization “Culture, Media and Education” – ARTHEA was financially supported by the Ministry of Culture of the Republic of Croatia, the City of Slavonski Brod, the Tourist Board of Slavonski Brod and Brodsko-Posavska County.

Croatian culture web centre – Culturenet.hr, informed on the performance (in Croatian language):

http://www.culturenet.hr

Local television SBTV information at 18:48 – 22:40 (in Croatian):

Brochure in Croatian language PUBLIKACIJA_2017 

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Post-modernism in PhD Vesna Srnic teaching Media Culture at the J.J. Strossmayer University of Osijek, Faculty of Education in Osijek, Department in Slavonski Brod.

Environmental random sounds (news, harmonious and disharmonious, laughter, whispering, noise, croon) from the exterior and interior of the Faculty of Education in Osijek, Department in Slavonski Brod.

PhD. Vesna Srnic, Research Fellow
President of civil association “Culture, Media and Education” – ARTHEA
portfolio: https://media-via.net/about
http://www.eenc.info/expert/vesna-srnic (2013-2015)
35 000 Slavonski Brod, Hrvatska, Europe
web: http://media-via.net
http://glocal-art.ning.com
https://www.facebook.com/groups/glocalart
cell-phone: 098 501 835
email: vesna.srnic@sb.htnet.hr

hnk_listopadThis season’s Philosophical Theater started with the famous British Pakistani activist, writer, theorist,  journalist and filmmaker Tariq Ali. The leader Srecko Horvat, known in Europe for his  leftist activism, moderated the interview on 30th October, 2016 in The Croatian National Theater (HNK) in Zagreb. Horvat’s schedule for upcoming months is as follows:
27th November – sociologists Zygmunt Bauman and Alexandra Kania
4th December – Yanis Varoufakis
27th January 2017 – Bobby Gillespie and Franco B. Bifo (blending philosophy and rock and roll)

After the short performance of the drama with his text “The New Adventures of Don Quixote”, during this very pleasant evening Tariq Ali introduced himself as a rigorous and sensitive theorist and playwright at the same time. While criticizing pessimistiali_horvatcally the American and European capitalist society, he stressed the importance of the real democracy (not the fake ones where it’s necessary “to pinch the nose”) and objective reasoning of those who appreciate the positive approach to society and culture.

Tariq Ali is a Britdetalj_don_quijoteish Pakistani writer, journalist, and filmmaker. He is a member of the editorial committee of the New Left Review and Sin Permiso (es), and contributes to The Guardian, CounterPunch, and the London Review of Books. He read PPE in University of Oxford.

 

 

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Sources: wikipedia

performative contemporary danceOn Saturday, June 11, 2016 at 12 am at the town square “Ivana Brlić Mažuranić” in Slavonski Brod, civil organization “Culture, Media and Education” – ARTHEA orchestrated multimedia performative trine “World image and performativity of glocal consciousness”, culturally aimed against xenophobia as destructor of conservative ego. Our project is a  multiplatform awareness raising programme with a heavy emphasis on performance art in urban surroundings.

The glocal (global and local) artists in simultaneous performances were: Slovenian Aljaz Razdevsek on saxophone (a graduate of the Music Academy in Zagreb and Conservatoire a rayonnment regional de Lyon), Aljaz Razdevsek on saxophoneFrenchman Regis Kattie on keyboards (a graduate of the Music Academy in Zagreb), and three graduates, contemporary dancers from the Academy of Dramatic Arts in Zagreb – Nastja Stefanic, Eleonora Magdalena Vrdoljak and Cynthia Kucic. Online reviews of multimedia visions on performances can be seen at the social network http://glocal-art.ning.com by the following scientists: Prof. Ph.D. Lino Veljak from the Department of ontology of the Faculty of Regis Kattie on keyboardsPhilosophy in Zagreb, then Dr. Kruno Martinac from the Murdoch University, Australia, as well as Prof. PhD. Divna Vuksanovic from the Faculty of Dramatic Arts, Belgrade and MA Jugoslav Gojkovic, dr. Med. at the Department of Psychiatry, Slavonski Brod.

The author of performative artistic-scientific project is Ph.D. Vesna Srnic, research associate at the Faculty of Educational Sciences in Osijek, study in Slavonski Brod.

More about the project at the online platform http://glocal-art.ning.com/

PUBLICATION_2016

Video by Valentina Jackiv, student of the Faculty of Educational Sciences in Osijek, study in Slavonski Brod

Our project is a  multiplatform awareness raising programme with a heavy emphasis on performance art in urban surroundings.

Through this project we hope to:

  1. Combat xenophobia (fear of strangers)
  2. Contribute to the decentralisation of culture and spread cultural events outside of major institutions via civil organisation.
  3. Increase the presence of performance arts in urban environments.

With the imminent entrance of Croatia in to the EU the need for a project that raises awareness of European values is greater than ever.The project puts a heavy emphasis on bringing european values to its’ future citizens on a more intimate and local level. More often than not it’s the localities that are neglected since most programmes deem it only necessary to target major cities.

The project will immidiately pull in by-standers and will peak their curiosity which will lead them to ask questions about the performances and in turn will be informed about the project and it’s theme. By catching just a glimpse of another culture they can draw their own conclusions as to the differences and similiarities they may share with other nations. It will promote open mindedness and a will to accept foreigners in to their society. Web logs, social networking and traditional forms of media will ensure that the program will not go unnoticed. With the all the performers, intelectuals, experts and the general public involved the project has huge potential to reach a massive audience.

A performance as dance is universal. Every culture has one. This project takes advantage of this and uses the fact to „hook“ by standers. From then they ask themselves the questions needed to come to the realisation that multiculturality and understanding is indeed the road that needs to be taken. This unique combination of performances in urban surroundings combined with online conferences, discussions and multimedia campaign (brochures, social networking) will ensure that the project will reach it’s full potential.

The members of ARTHEA are scientists, professors, artists, students and agile creative citizens. The association is registered as a competente civil organisation for the Cultural areas of Art, Media and Internet, thus it promotes Media culture and raises awareness on the Multicultural integration.

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“World Image and performativeness of glocal consciousness”, Slavonski Brod, Croatia, 11 June, 2016 Innovative cultural shock against xenophobia as a destructor of conservative ego.

Situationally performative multiplier or Affective performativeness of authentic process

In this year’s expresfountain_square_slavonski-brodsive, energizing and multiplying affect of the moment, situationally performative events represent the urban trine: Slovenian musician Aljaz Razdevsek on saxophone (student of the Conservatoire a rayonnement regional de Lyon and of the Music Academy in Zagreb), playing classical (J.S.Bach, Partita), then contemporary Japanese (J.D. Michat, Kokoro) as well as dance music of Slovenian/Albanian composer Zeqirja Ballata (Kaba) on the southern part of the square in Slavonski Brod, then French pianist Regis Kattie (a student of the Music Academy in Zagreb ) with free jazz performance on the northern part of the square, and finaly three contemporary dancers from the Academy of Dramatic Arts in Zagreb / department of contemporary dance – Nastja Stefanic, Eleonora Magdalena Vrdoljak and Cynthia Kucic, will perform freestyle choreography on the music of Steve Reich’s “City life”, at the central part of the Aljažsquare.

Through this kind of affective performativity of authentic process, we encourage “prelinguistic domain” of so-called “infralanguage ‘(Hansen, Bodies in code, 2006, p.4), which transforms transpersonal and collective individuation and socialization in maturation. This primal and original event supersedes the enRegis_Kattievironment as a mere information system and creates global and local synergy or “glocal-skin”, as the authentic event that occurs spontaneously, intertwined with quiet interspace and resonance of architecture, like “letting-be of appearing” of generic affect (Badiou, Being and Event, 1988, p. 125). This original multicultural existence by direct stream and primal meme, was created as the poetic and expressive spirit of continental philosophy, outside the usual linguistic constructivism and opposplesaciceed to the “(…) Anglo-American philosophy, which is supposedly rationalist, based on formal analysis of language and mathematized logic” (Badiou, the author’s preface).

With the immersion in the poetic event on an expected sunny midday at the Square on June 11, we will strive to round off the height of the sphere.

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Online reviews on multimedial visions of performances will be written at the social network glocal-art by the scientists: PhD Lino Veljak (Faculty of Humanities and Social Sciences, Department of Philosophy, University of Zagreb), PhD Biserka Cvjeticanin (Institute for Development and International Relations IRMO, Zagreb), PhD Divna Vuksanovic (Faculty of Dramatic Arts, Belgrade), PhD Kruno Martinac (Murdoch University, Australia) and MA Jugoslav Gojkovic (Psychiatric Hospital, Slavonski Brod).

Author of the glocal performative project: PhD Vesna Srnic, research associate

(“Culture, media and education”-ARTHEA’s project is supported by the Croatian Ministry of Culture, the Town Slavonski Brod and Slavonski Brod Tourist Board).

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Photo of the Slavonski Brod Square by Zeljko Klindzic, courtesy of the author

MargaretheA famous German film director and screenwriter Margarethe von Trotta was Srecko Horvat’s Philosophy Theatre guest at the Croatian National Theatre, on 29th May, 2016.  Strong and self-confident, von Trotta talked with a lot of humour about her life and career, as well as about her aproach to activism, feminism and psychological characterisation of people. She claimed that she is not a politician, nor feminist filmmaker, although she finds her characters in such an environment. As an art historian, she makes dreamlike art films and belives such medium has a direct affect, one that has a huge impact on you.

Margarethe von Trotta (1942) is a German film director who has been referred to as a “leading force” of the New German Cinema movement. Von Trotta boasts an impressive body of work that has won her awards all over the world in the last forty years. She was married to and collaborated with director Volker Schlöndorff. Although they made a successful team, von Trotta felt she was seen as secondary to Schlöndorff. Subsequently, she established

 

a solo career for herself and became “Germany’s foremost female film director, who has offered the most sustained and successful female variant of Autorenkino in postwar German film history.” Certain aspects of von Trotta’s work have been compared to Ingmar Bergman’s features from the 1960s and 1970s. She says that it was thanks to Bergman’s films that she “‘fell in love’ with the medium and its possibilities for representing inner psychic worlds.”

She co-wrote many of the scripts for his films, and in 1975 the two of them co-directed The Lost Honor of Katharina Blum (1975). In 1977, von Trotta directed her first solo feature The Second Awakening of Christa Klages (1978) (The Second Awakening of Christa Klages). With her third film, Marianne & Juliane (1981), von Trotta’s position as New German Cinema’s most prominent and successful female filmmaker was fully secured. Other films: Sheer Madness (Heller Wahn, 1983), , Love and Fear (Fürchten und Lieben / Paura e amore, 1988), Rosa_Luxemburg, Vision (Aus dem Leben der Hildegard von Bingen, 2009), Hannah_Arendt (2012).

Von Trotta has been called “the world’s leading feminist filmmaker.” The predominant aim of her films is to create new representations of women. Her films are concerned with relationships between and among women (sisters, best friends, etc.), as well as with relationships between women and men, and involve political setting. Nevertheless, she rejects the suggestion that she makes “women’s films”.

Sources:

wikipedia 

imdb

Media-via

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  • HNK_FilozofskiThe Croatian “Philosophy Theater” introduced Eva Illouz, the famous French/Israeli “Sociologist of Love” at The Croatian National Theatre in Zagreb, on 13 February, 2016. Illouz critisizes the consumerism in emotional life, as well as other fake values. Although the topic of the interview was mostly philosophical, not only sociological and interviewer Srecko Horvat has asked a lot of important questions, unfortunatelly Illouz didn’t point to a crucial, deeper interaction between the two mature persons or to the extremely rare Divine approach to Life, mostly if single, with no romantic utopia.

While first visiting Croatia, the Croatian Planetopija published two of her books: Cold Intimacy: How do we create an emotional capitalismandHard-core romance: Fifty Shades of Grey, bestsellers and society.

Eva Illouz was born in Morocco, and moved to France at the age of ten. She received a BA in sociology, communication and literature in Paris, an MA in literature at Paris X, an MA in communication from the Hebrew University, and received her PhD in communications and cultural studies at the Annenberg School for Communication of the University of Pennsylvania in 1991. She delivered the 2004 Adorno lectures at the Institute for Social Research in Frankfurt, and in 2009, she was chosen by the German leading newspaper Die Zeit as one of the 12 thinkers most likely to “change the thought of tomorrow.”

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Source:

https://en.wikipedia.org/wiki/Eva_Illouz

 

After several European leftist philosophers, scientists and writers (Julia Kristeva, Niccolo Ammanti, Slavoj Zizek, Saskia Sassen and Richard Sennett, Thomas Piketty) Philosophy Theatre moderator Srecko Horvat organised an interview with the famous English Oscar winning actress Vanessa Redgrave, at the Croatian National Theatre in Zagreb. The old, sometimes lucid, good looking aristocratic and arrogant actress is still involved in human rights activism.

Vanessa Redgrave (1937) is an English actress of stage, screen and television, as well as a political activist.

She is also known by the activist work as she has started protests against the Vietnam War, and continued with the struggle for Palestine and visiting Sarajevo during the occupation. The Stage magazine listed her in 2010 to ninth place on the list of the greatest actresses of all time. She played more than thirty roles in the West End and Broadway, most notably those in the plays The Year of magical thinking, Long journey into the night and Driving Miss Daisy.

Beside the theater career, she appeared in more than eighty films, six times was nominated for the Oscar, which was awarded to her for Best Supporting Actor in the film Julia (Fred Zinnemann, 1977). The films in which she acted like Isadore (Karel Reisz, 1968) and Blow-Up (Michelangelo Antonioni, 1966) have become classics of film history.

 

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Sources

wikipedia.org

hrt.hr

facebook.com/Filozofski-Teatar

Vandana Shiva, Indian philosopher/phisicist, feminist and ecologist, had a conference “Earth Democracy” at the Subversive Festival in the Croatian capital Zagreb on 14th May, 2015. She is famous for her feminist activism in movement Chipko during 1970’s while hugging the trees. She defended her doctoral disertation in Canada in 1978: „Hidden Variables and Non-locality in Quantum Theory“.

 

As Wikipedia states: “Vandana Shiva (Hindi: वंदना शिवा: born 5 November 1952) is an Indian environmental activist and anti-globalization author.[2] Shiva, currently based in Delhi, has authored more than 20 books.[3] She received her PhD from the University of Western Ontario Faculty of Graduate Studies, in Canada, in 1978 with the doctoral dissertation “Hidden variables and locality in quantum theory.”[4]

She is one of the leaders and board members of the International Forum on Globalization, (along with Jerry Mander, Edward Goldsmith, Ralph Nader, Jeremy Rifkin, et al.), and a figure of the global solidarity movement known as the alter-globalization movement.[5] She has argued for the wisdom of many traditional practices, as is evident from her interview in the book Vedic Ecology (by Ranchor Prime) that draws upon India’s Vedic heritage. She is a member of the scientific committee of the Fundacion IDEAS, Spain’s Socialist Party’s think tank.[6] She is also a member of the International Organization for a Participatory Society.[7] She received the Right Livelihood Award in 1993, and numerous other prizes.”

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Source:

Wikipedia

Subversive festival

Interacting global” and local” in the glocal” is our way of softening the boundaries by encountering “foreignand domestic” as a form of struggle against xenophobia or fear of strangers. On 9th May we presented two simultaneous dancing and meditative performances: passionate Irish dancer Paul O’Grady performed traditional Irish dances, while Chinese meditative dance TaiChi was performed by Chinese professor Wang Qian, a lecturer at the Confucius Institute and the Faculty of Philosophy in Zagreb. PUBLICATION_on Glocal Art

More:

http://glocal-art.ning.com

 

Fountain_Square_Slavonski Brod (Photo by Media-Via)Thanks to the support of the Croatian Ministry of Culture, the European House, Tourist Board and the Department for EU integration, we continue for the third year with our performative project “World Image and Performativeness of Glocal Consciousness”. The link between “global” and “local” in the “Glocal” is our way of softening the borders of meeting “foreign” and “domestic” as a form of fighting xenophobia or fear of foreigners. We will present two simultaneous dancing and meditative performances: Irish dancer Paul O’Grady will perform traditional Irish dances, and Chinese Professor Wang Qian, lecturer at the Faculty of Philosophy in Zagreb will introduce Chinese meditative dance Tai-Chi. Their performances are expected to turn into workshops of animating the students of “Faculty of Educational Sciences in Osijek”, study in Slavonski Brod, as well as other interested observers at the town square “Ivana Brlić Mažuranić”, on Saturday, May 9, at 12 am.

Scientists – participants: Dr. Kruno Martinac (Murdoch university, Melbourne), Ph.D Lino Veljak (Faculty of Humanities and Social Sciences, Zagreb), Assistant Professor MA. Vladimir Frelih and Art Assistant Domagoj Susac (Art Academy in Osijek, Osijek), Dr. Divna Vuksanovic (Faculty of Drama Arts, Belgrade), Dr. Dragan Calovic (Faculty for culture and media, Beograd), Ph.D Zdravko Palavra (ICT teacher, Daruvar), Dr. Jugoslav Gojkovic (J. Bencevic hospital, psychiatrist, Slavonski Brod) , and Ph.D Vesna Srnic (NO “Culture, media and education” – ARTHEA president, the author of the project). http://glocal-art.ning.com

Elaborating in an abstract and impersonal way, we start from the position that the performativity of the “World Image and Performativiness of Glocal Consciousness” is reflexive and critical, meditative art event, which is not preferring “Image” in itself, nor is rejecting it, at least not the way W.J.T. Mitchell talks in his book “What Do Pictures Want?” (93-96 pages).

In fact, Mitchell believes that the Images “live” because, apparently, we bring life to them or we iconoclasticly destroy that life in pictures … But we stand on the point of view that due to the reflection of a performative artwork there are no primitive fantasies (the types of “idol, fetish, totem”) that would include or exclude the Image, but contrary there is the anthropological establishing of ontological phenomenon of “to be here and now” (Dasain, Heidegger), which results in an artistic transpersonal existential actualization.

Mitchell states that the especially “totem” is collective representation, and totemic rituals are “the crazy guilt of social differentations” (page 99), which is an anthropological position between “natural” and “cultural” (page 101). Supported by the inscription of Durkheim’s allegations Mitchell believes that the “Image of the totem is happier than totem itself” (page 101), and so that totemism is an example of birth of Images (procreation), where the Image is “God” …

We believe that by the performativity of artistic event we can avoid birth or death of the “Image” as a fantasy monster, as a political coloration, and as far as Mitchell is fascinated by the monumentality of Images, by the gigantism of technology or as he says by the “dinosaur” – the totem, the animal of modernity, we see the “Image” or its Absence as contemplation in the space and time.

According to his obviously “necessary” fantasy thinking, Mitchell asks: “Do we create images or do they create us?” (page 105) In that sense this inevitability is supported by the explanation of totemism: “Totemism allows the image to assume a social, conversational, and dialectical relationship with the beholder, the way a doll or a stuffed animal does with children.” (page 106) Consequently, it is an example where Mitchell himself immaturely shows this dangerous infantilism in his theses!

The project “World Image and Performativeness of Glocal Consciousness” set the “World Image” in the spatial – temporal depletion zone with “No Images”, without infantile fantasies and desires, while keeping only the normal “middle existential path” (Media-Via).

Ph.D. Vesna Srnic

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http://glocal-art.ning.com

Watch_BZCulturenet.hr informs: “A lot of people spend a lot of money on EXCLUSIVE watches in order to differentiate themselves from the «regular» people, and to show off their social status. Bruketa & Žinić OM agency suggests you do the complete opposite. Design your first Inclusive Watch. Make your own time.

Inclusive Watch consists of a pen and your imagination. Open, think of something cool, then get busy. Inclusive Watch includes your personality and displays your creativity. It’s also fun to draw on your own hand and it’s always a great conversation starter.

The watches were made in collaboration with Lega-lega.

Bruketa&Žinić OM / Davor Bruketa, Nikola Žinić (Creative Directors, Copywriters), Nebojša Cvetković (Art Director, Copywriter), Zrinka Jugec, Zorana Šafar (Account Directors), Martina Ivkić, Svjetlana Vukić (Account Managers), Vesna Đurašin (Production Manager), Radovan Radičević (DTP), IBL (Print), Domagoj Kunić (Photographer), Bold studio (Video Production)”

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Source:

Culturenet.hr

(Image/still from video – courtesy of Culturenet.hr)

 

kultura-u-doba-mreza“PhD. Biserka Cvjeticanin’s book “Culture in the age of networks” deals with the analysis of cultural policy (and cultural policies) as one of the most interesting and extremely important public policy of modern society and modern democracy. It turned out that all the companies that neglect this aspect of public policy sooner or later lose one of the key dimensions of development and through a crisis of identity as a recognizable element in today’s pluralistic world. Therefore, the topic of this work is scientifically and professionally relevant just as much as development of society itself.

The author always starts from the actual problems of cultural reality and cultural policy. Her views and opinions are not derived from the general principles and norms of culture and cultural politics but from real-life contemporary cultural processes. Even when starting from some general principles (for example of the general and universal principles of the United Nations, UNESCO or other international, both scientific and political bodies and organizations) she examines these principles in the light of their actual feasibility, their reception in concrete social environments. The author in her approach primarily has in mind how these principles are perceived, translated, implemented or not implemented.

This work analyzes the Croatian culture and cultural policy in the light of the fact that Croatia has become a full member of the European Union and that in its future cultural policy and strategy should incorporate three basic strategic direction of the EU: the promotion of cultural diversity and intercultural dialogue, the development of creative industries in the broadest sense and strengthening the role of culture in Croatian external relations.”

Biserka Cvjeticanin Ph.D., is a Senior Scientific Researcher at the Institute for Development and International Relations (IRMO), Zagreb, Croatia (former IMO – Institute for International Relations that changed its name in March 2013) and director of the Culturelink Network. Ms. Cvjeticanin was a former Deputy Minister of Culture (2000-2004). Ms. Cvjetičanin studied at the École des Hautes Études en Sciences Sociales, Sorbonne, Paris, and at the School of Oriental and African Studies, University of London. Her research interests include cultural development, cultural policies and intercultural communication. She is the author of numerous books, studies and articles on cultural development and intercultural communication and the editor of several proceedings.

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Source:

Hrvatska sveucilisna naklada, Zagreb, Croatia / Croatian University Publishing, Zagreb, Croatia

http://www.hsn.unizg.hr

http://www.eenc.info/expert/biserka-cvjeticanin/ (European Expert Network on Culture – EENC)

Glocal_ebookIt is a great pleasure to inform you that the Zagreb’s prestigious publishing house Jesenski and Turk” has just released the copyright collection of scientific papers Glocal Multimedia Art“, written by Ph.D Vesna Srnic, Media-Via president. It is in the format of ebook, in English, since the majority of works were published in the American/Australian magazines.

The book was presented in Rovinj on 27th November, 2014 at the conference “Glocal” (Archives, libraries, museums akm), in collaboration with Ph. D. Mirna Willer (picture on the right, dr. Willer presenting e-book).predstavljanje_eknjiga_dr_Willer_Rovinj

A link to a free download ebook is:

 

http://www.jesenski-turk.hr/?active=knjiga&book=107634&lang=en

The reviewers of the book are Ph. D. Lino Veljak, a Professor at the Department of ontology at the Faculty of Philosophy, University of Zagreb, and Ph. D. Biserka Cvjeticanin, a senior scientist at the Institute for Development and International Relations (IRMO), Zagreb, as well as a head of global networks for research and cooperation in cultural development Culturelink and member of the Scientific Council of UNESCO for Europe (2012th-2016th).

From the review:

Establishing a nGlocal_Multimedia_Art_contentsew virtual reality mediated by the multimedia technology undoubtedly deserves the highest level of attention to critical scholarship, and as part of the disclosure of this new reality of eternal question about the meaning and significance of artistic creation, takes on a new dimension, which imperatively requires a systematic critical approach. The author’s intention is aimed at contributing such an approach. (Ph. D. Lino Veljak)

 

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Frelih_Petrovic_Tote_Mitte_Mrtva_sredina“With series of works exhibited in this exhibition, the artists directly say that their security at central line art deadens them. “Losing the center” (Verlust der Mitte) in this dead security is being replaced by minimizing the artistic (sometimes technical) terms, but not the visual impression. In this context, the authors have indicated many times proven architectural postulate of the modern era: “Less is more”, thinks Igor Loinjak.

Vladimir Frelih was born in Osijek. From 1994 to 2000 he studied at the Kunstakademie Düsseldorf in classes with Professor Nan Hoover, Nam June Paik and Magdalene Jetelova. Since 2008 he is assistant professor at the Department of Fine Arts, Art Academy in Osijek.

Gastzimmer, Stuttgart, Njemačka
20th November, 2014 – 30th November, 2014

Atelier Wilhelmstrasse 16 e.V.
Wilhelmstrasse 16
70372 Stuttgart Bad Cannstatt

Vladimir Frelih Biography/ in Croatian

Ana Petrovic Biography

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Image (courtesy of author Vladimir Frelih)

HNKA new project of “The Croatian National Theater” (HNK)- “The Philosophy Theater”, which was organized and moderated by Srecko Horvat, one of the leading Croatian philosophers of younger generation, has been presented at “The Theater Night”, on 15th November. The first guest ofPhilosophy Theater” was Julia Kristeva, a Bulgarian-French leftist philosopher, poststructuralist, literary critic, psychoanalyst, sociologist, feminist, and, most recently, novelist, who has lived in France since the mid-1960s. She is now a Professor at the University Paris Diderot. Horvat plans the collaboration with famous philosopher Slavoj Zizek as well.

Nov. 15, the premiere of a Kristeva’s play “Therese my love” was performed Julia Kristeva à Paris en 2008.jpgby an actress Alma Prica and  later followed by the discussion about her leftist work, psychoanalysis, melancholy and love.

A quartermaster Dubravka Vrgoc was very happy to announce the beggining of this project. Horvat plans the collaboration with famous philosopher Slavoj Zizek as well: “It is a great honor to be with the world’s leading philosopher in the National Theatre, Slavoj Zizek, precisely for the first time Zizek will try his hand as a playwright, with its own version of “Antigone”. Horvat adds that they don’t know who will be the director of the play but the whole idea of “Philosophy Theater” can be seen as a potential for changing the consciousness of people.

“Sarter used to come to Croatia as well, it is necessary to continue this tradition! Between philosophy and theater connection has always existed, but it is recently lost and it should be returned. Our theater should deepen the relationship between philosophy and theater, concluded Horvat. ”

hnk.hr

culturenet.hr/

en.wikipedia.org/Julia_Kristeva

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A very agile director of the Art Gallery in Split, Branko Franceschi continues in progressive style: Gallery presents two contemplative artists – Damir Babic and Mirjana Vodopija. To paraphrase  curators Stipsic-Vukovic and Krpasic, Nature and Cosmos serve the artists only as an inspiration to record the other, thought and spiritual states, thinking about the core values and the meaning of human existence, which are often triggered by intense experiences of nature, as an “ecology of the spirit” and “cosmic symbolism”. (29.09. – 25.10.2015.)

damir_babic_It_is_all_one_breath_2013Croatian artist Damir Babic was born in 1962 in Zagreb. He graduated in his hometown on the Academy of Fine Arts in 1991, in the class of professor Đuro Seder. He lives and works in Rijeka.
Damir Babic exhibits his opus/cycle “Where silence begins?” (2010-2015). After the forest landscapes from the cycle “Who expelled the silence? Hearts vein” he painted three separated forest landscapes (“Are decisions really taken within the mind”, “Everything is the way it has to be”and “What happens in the space of possible reversal?”), while the third cycle relates to the whole landscape of the sea. Nature serves to Babic only as an inspiration to record the other, thought and spiritual states, thinking about the core values and the meaning of human existence, which are often triggered by intense experiences of nature.
Damir Babic falls into the small but special class of artists who deal with “ecology of the spirit”, in that group of artists who are not offered consolation placebo to decrease the feeling of having no perspective of existence, but their creation embodies the hope of a happier existence. In his “search for the miraculous” (Uspenski), he offers us a meditative polygons, leaving a strong impression of pulsating energy and the knowledge that at the present time, when a person is preoccupied with material values, there is a spiritual sphere.

(Marija Stipisic Vukovic, from the text in the exhibition catalog)
Curator: Marija Vukovic Stipisic
(Translated by Media-Via)Mirjana_Vodopija_Žardinjera_2015

Mirjana Vodopija was born in Zagreb in 1963. She graduated in 1987 at the graphic department of the Academy of Fine Arts in Zagreb, in the class of Professor Miroslav Sutej. Since 2007 she has worked at the Academy of Fine Arts in Zagreb, currently as associate professor, where since 2012 she has served as vice dean for education and students. He lives and works in Zagreb.

In determining the aesthetic starting points of creativity Mirjana Vodopija often emphasizes the focus of the works on research design and the possibility of autonomous artistic medium. This concept of art includes the exploration and questioning of art, movement within its immanent possibilities, without reference to the socio-political context or even the sphere of everyday life. But the author is deeply involved in existential themes, as she refers precisely to what makes us human – it is the sphere of questioning the possibility of seeing, feeling, imagination, thinking. Is that not the true area of human existence, the art of comfort and hope, the expanded vision? In her works Mirjana Vodopija finds cosmic symbolism, universal themes that connect us and unite, encourages contemplation.
Awakening the elementary level of reality and our consciousness, looking at the perception and experience to their sources, the feeling of being, presence of lighting – these are the quiet basics of Mirjana Vodopija, she always returns to in her art. Great photo prints, video projections and environments provide a rich and complex visual experience, encouraging the active involvement of the viewer rather than passive viewing, invoking powerful emotional and spiritual experience. Thus the permanent artistic task is realised – make things visible, touch the aura of the contemporary.

(Kornelia Krpacic, the text in the exhibition catalog)
Curator: Kornelia Krpacic
(Translation by Media-Via)

 

Sources:

galum.hr

http://www.galum.hr/izlozbe/izlozba/1382/

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