Tag Archive: postfeminism

Doctoral dissertation “Electronic Media and Aesthetics in Postfeminist theory”  written by Ph.D. Vesna Srnic deals with contemporary themes and dynamic artistic use, aesthetic valuation and phenomenological impact of extended electronic media on human life in the period of postfeminism.

Thesis of dissertation is the result of analytical study of artistic mass electronic media (photography, film, TV, video, computers, Internet and multimedia): modern electronic media are not the subject to more classical aesthetic criteria, but to the concept of “value” and consequently how successfully the sexually undifferentiated affective grounds existence is brought into these new media. This, according to us, is a quite new aesthetic, while following the aspect of affective encouragement of individualization and strengthening the integrity by the electronic media, where the  special importance is seen in experimental film, video art and multimedia performances orchestrated in the period of the “third wave of feminism” or Postfeminism.

Researches have been based on the phenomenology and philosophy of existentialism, which we considered suitable for integral insights into the individual without gender differentiation, what we see contemporary Postfeminist theory.



Ph.D. Vesna Srnic, doctoral dissertation “Electronic Media and Aesthetics in Postfeminist theory” (defended at the Faculty of Humanities and Sciences, University of Zagreb, Croatia, in September, 2011)

More details can be found at shopmybook.com and if You are interested in online shopping you can do so at this page. The first edition is published in Croatian language.

In German Medienmuseum ZKM | Museum of Contemporary Art in Karlsruhe you can visit on March 8th, 2012 an exhibition “Moments. A History of Performance in 10 Acts” as an international live exhibition on the history of art performance in dance and fine art. As an exhibition ‘in progress’, the project shows and develops new formats of museal presentation of live acts. The exhibition begins in an empty exhibition space. During the eight week duration of the exhibition project a scenic act of around ten central stages of dance and performance history unfolded − as witnessed by a group of students invited to accompany and observe for the entire period − before a public. One of the key focal points is the performances and works by women who have consciously been thematizing, transgressing and critiquing the genre boundaries between dance, performance, and visual media since the 1960s. Here, they likewise reflect on the implicit male constructions of the gaze and the gestural logic of their colleagues.

Among others, the artists represented in the exhibition will be Marina Abramović, Graciela Carnevale, Simone Forti, Anna Halprin, Reinhild Hoffmann, Channa Horwitz, Lynn Hershman Leeson, Sanja Iveković, Adrian Piper and Yvonne Rainer. The exhibition is composed of four phases, in each of which other actors occupy the exhibition space:

1. Act − Stage and Display (March 8−March 17, 2012)

2. Re-Act − Interpretative Acquisition in the Art Laboratory (March 18−March 30, 2012)

3. Post-Production − Film Editing (March 31−April 14, 2012)

4. Remembering the Act − Performative Mediation of the Exhibition Process by Artistic Witnesses (April 15−April 29, 2012)